Selected Works

B. Wurtz, Selected Works 1970-2015, BALTIC Centre for Contemporary Arts, 2015-16, Photography John McKenzie © 2015 BALTIC Centre for Contemporary Art
B. Wurtz, Selected Works 1970-2015, BALTIC Centre for Contemporary Arts, 2015-16, Photography John McKenzie © 2015 BALTIC Centre for Contemporary Art
B. Wurtz, Selected Works 1970-2015, BALTIC Centre for Contemporary Arts, 2015-16, Photography John McKenzie © 2015 BALTIC Centre for Contemporary Art
B. Wurtz, Selected Works 1970-2015, BALTIC Centre for Contemporary Arts, 2015-16, Photography John McKenzie © 2015 BALTIC Centre for Contemporary Art
B. Wurtz, Selected Works 1970-2015, BALTIC Centre for Contemporary Arts, 2015-16, Photography John McKenzie © 2015 BALTIC Centre for Contemporary Art
B. Wurtz, Selected Works 1970-2015, BALTIC Centre for Contemporary Arts, 2015-16, Photography John McKenzie © 2015 BALTIC Centre for Contemporary Art
B. Wurtz, Untitled, 1981, wood, vinyl records, dimensions variable
1981, wood, vinyl records
B. Wurtz, Handbag, 1970, plastic, wire, 30.5 x 20.3 x 5.1 cm
1998, acrylic on canvas, buttons, 85.1 x 91.4 x 1.3 cm
B. Wurtz, Garment (Large Green), 1988, acrylic on canvas, 67 x 49 cm
B. Wurtz, Untitled (autobiographical sculpture), 1988, wood, acrylic paint, 113 x 66.7 x 38.1 cm
B. Wurtz, Untitled (Green Sock and Shoelace), 1997, wood, wire, shoelace, string, sock, 95.3 x 40.6 x 10.2 cm
B. Wurtz, Garment (Large Gray), 1988, acrylic on canvas, 66.7 x 49 cm
B. Wurtz, installation view, Kate MacGarry, 2013
B. Wurtz, Untitled, 2013, wood, plastic bags, wire, plastic mesh bag, 117 x 51 x 30.5 cm
B. Wurtz, Untitled, 2009, plastic bags, acrylic paint, string, canvas, 190.5 x 228.6 x 3.8 cm
B. Wurtz, Untitled, 1997, plywood, plastic bag, wooden doll, rope, 61 x 97.8 cm
B. Wurtz, Untitled (Know Thyself), 2012, canvas, thread, string, socks, 44.5 x 45.7 x 1.3 cm
B. Wurtz, Four Collections, installation view, 2015, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
B. Wurtz, Four Collections, installation view, 2015, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
B. Wurtz, Daily Life, continued, Kunstverein Freiburg, 2015, Foto: Marc Doradzillo
B. Wurtz, Daily Life, Continued, Kunstverein Freiburg, 2015, Foto: Marc Doradzillo
B. Wurtz, Daily Life, Continued, installation view, Kunstverein Freiburg, 2015, Foto: Marc Doradzillo
B. Wurtz, Daily Life, Continued, installation view, Kunstverein Freiburg, 2015, Foto: Marc Doradzillo
B. Wurtz, Daily Life, Continued, Kunstverein Freiburg, 2015, Foto: Marc Doradzillo
B. Wurtz, Daily Life, Continued, installation view, Kunstverein Freiburg, 2015, Foto: Marc Doradzillo
B. Wurtz, Daily Life, continued, installation view, Kunstverein Freiburg, 2015, Foto: Marc Doradzillo

Press

Born in Pasadena, CA, 1948

SOLO EXHIBITIONS
83 Pitt Street, New York, 2016
Office Baroque, Belgium, 2016
Baltic Centre for Contemporary Art, Gateshead, UK, 2015
FOUR A.M., NY, 2015
Daily Life, Continued, Kunstverein Freiburg, Germany, 2015
Four Collections, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, U.S.A, 2015
Works in Handmade Paper 2013 – 2015, Dieu Donné, NY, 2015
World Food Books, Melbourne, Australia, 2015
Maisterravalbuena, Madrid, 2014
Mary Boone Gallery, New York, two – person show with Jim Isermann, 2014
Richard Telles Fine Art, LA, 2014
The Apartment, Vancouver, Canada, 2014
Richard Telles Gallery, LA, U.S.A, 2014
Galerija Gregor Podnar, Berlin, Germany, 2013
B. Wurtz, Kate MacGarry, London, UK, 2013
Reccent Works, Metro Pictures, NY, U.S.A, 2013
White Flag Projects, Saint Louis, Missouri, U.S.A, 2012
B. Wurtz: Works 1970-2011, Metro Pictures, NY, U.S.A, 2011
The Apartment, Vancouver, Canada, 2010
Richard Telles Fine Art, LA, U.S.A, 2007
B. Wurtz : Photo/Objects, 871 Fine Arts, San Francisco, U.S.A, 2007
The Suburban, Oak Park, IL, U.S.A, 2006
Feature Inc., NY, U.S.A, 2006
Feature Inc., NY, U.S.A, 2003
Feature Inc., NY, U.S.A, 2001
B. Wurtz: 70+30=2000, Gallery 400, University of Illinois at Chicago, Chicago, U.S.A, 2000
Richard Telles Fine Art, LA, U.S.A, 2000
buttons. part 1, Feature Inc., NY, U.S.A, 2000
buttons. part 2, Feature Inc., NY, U.S.A, 2000
Salle de Bains, Rotterdam, The Netherlands, 1999
Spak, Umeå, Sweden, 1999
Feature Inc., NY, U.S.A, 1998
Feature Inc., NY, U.S.A, 1997
Richard Telles Fine Art, LA, U.S.A, 1997
Ynglingagatan 1, Stockholm, Sweden, 1996
Mandalas, Feature Inc., NY, USA, 1995
Daily Life, 1970–1993, Feature, NY, 1993
Feature, NY, USA, 1992
Feature, NY, USA, 1991
Life, Feature, NY, USA, 1990
Survival, Feature, NY, USA, 1989
Bess Cutler Gallery, NY, USA, 1988
Feature, Chicago, USA, 1987
Bess Cutler Gallery, NY, USA, 1987

GROUP EXHIBITIONS

Pure Pulp, Wellin Museum of Art, Hamilton College, Clinton, NY, 2016
Fredericks and Freider Gallery, New York, 2016
Exquisite Corpse, 
Planthouse, New York, 2016
Redeux (Sort of), 
Kai Matsumiya, New York, 2016
The Trick in the Smile: Artium Collection, 
ARTIUM Basque Centre Museum of Contemporary Art, Araba, Spain, 2016
Stay in Love,
Laurel Gitlen and Lisa Cooley Gallery, NY, USA, 2014
Table Setting,
Jancar Jones, LA, USA, 2014
Activate NY,
Abrons Art Centre, NY, USA, 2013
Café Horizon (You slowly look around now – hold it),
Arthur Boskamp-Stiftung, Hohenlockstedt, Germany, 2013
GOODS,
MoBY – Museums of Bat Yam, Israel, 2013
Work  (organized Sara Greenberger Rafferty),
Klaus Von Nichsstagend, NY, USA, 2013
LAT. 41° 7′ N., LONG. 72° 19′ W,
Martos Gallery, East Marion, NY, USA, 2013
Ten Years, Wallspace, NY, USA, 2013
The Cat Show,
White Columns, NY, USA, 2013
Prague Biennial, Czech Republic, 2013
Bulletin Boards,
Venus Over Manhattan, NY, USA, 2012
B. Wurtz & Co.,
Richard Telles Gallery, curated by Matthew Higgs, LA, USA, 2012
Cheat Chains and Telephone,
Kansas, USA. 2012
Creature from the Blue Lagoon,
Martos Gallery, Bridgehampton, NY, USA, 2012
Xylor Jane and B. Wurtz,
Pacific Northwest College of Art, Portland, USA, 2012
Anagram City,
Golden Gallery, Chicago, USA, 2012
Invitational Exhibition of Visual Arts,
National Academy of Arts and Letters, NY, 2012
Moment – Ynglingagatan 1,
Moderna Museet, Stockholm
Antique Measures, Gregor Podnar Gallery, Berlin, Germany, 2011
Underemployed,
Zurcher Studio, curated by Josh Blackwell, NY, USA, 2011
The 2011 Bridgehampton Biennial, Martos Gallery, organized by Bob Nickas, Bridgehampton, NY, USA, 2011
Pandora’s Box: Joseph Cornell Unlocks the MCA Collection,
Museum of Contemporary Art, Chicago, USA, 2011
Building Blocks: Contemporary Works from the Collection,
Museum of Art, Rhode Island School of Design, Providence, USA, 2011
Two Fold, Michelle Grabner & Brad Killam home,
Oak Park, Illinois, USA, 2011
Salon Zürcher,
Zürcher Studio, NY, USA, 2011
Salad Days,
The Journal Gallery, Brooklyn, USA, 2010
Stuff Art,
U-turn Art Space, Cincinnati, USA, 2010
S(l)umm(er)ing on Madison Avenue,
Notary Public, curated by Jo-ey Tang, NY, USA, 2010
The Same Sight Slighter,
Renwick Gallery, NY, USA, 2010
“Mean and Sneaking,”
FiveMyles, curated by Vicki Sher, Brooklyn, USA, 2010
Skulture,
Feature Inc., NY, USA, 2009
Hello Goodbye Thank You, Again,
Castillo/Corrales, curated by Anthony Huberman, Paris, France, 2009
Exposed Terrain,
Martin Art Gallery, curated by Amra Brooks Allentown, Pennsylvania, USA, 2009
Another ’80s,
Adam Baumgold Gallery, NY, USA, 2009
N’importe Quoi (Anything),
Musée d’Art Contemporain de Lyon, curated by Vincent Pécoil and Olivier Vadrot, Lyon, France, 2009
Phot(o)bjects,
Presentation House Gallery, curated by Bob Nickas, Seattle, USA, 2009
Peanut Gallery,
The Journal Gallery, curated by Joe Bradley, Brooklyn, USA, 2008
Shit,
Feature Inc., NY, USA, 2008
The Box,
Norma Desmond Productions, LA, USA, 2008
Living Flowers: Ikebana and Contemporary Art,
Japanese American National Museum, LA, USA, 2008
Stephen Prina, James Welling, B. Wurtz,
Richard Telles Fine Art, LA, USA, 2008
Field Work,
The Apartment, Vancouver, Canada, 2008
Object Salon,
Honey Space, curated by Bob Nickas, Kathy Grayson, Pascal Spengemann, Brooke, USA, 2008
Styrofoam, Museum of Art, Rhode Island School of Design, Providence, USA, 2008
Chistopher Knowles and B. Wurtz,
Allston Skirt Gallery, curated by Matthew Higgs, Boston, USA, 2007
Open End,
Kinkead Contemporary, curated by David McDonald, Culver City, California, USA, 2007
You Always Move in Reverse,
Leo Koenig Inc., curated by Bjarne Melgaard, NY, USA, 2007
B. Wurtz, Christopher Knowles,
Herald Street Gallery, London, UK, 2006
The Chair, Reconsidered,
Sun Valley Center for the Arts, Sun Valley, Idaho, USA, 2006
Eldorado,
Mudam, Luxembourg, 2006
Dereconstruction,
curated by Matthew Higgs, Barbara Gladstone Gallery, NY, USA, 2006
Kresge Foundation Gallery,
Ramapo College, Mahwah, New Jersey, USA, 2006
Looking at Words,
Andrea Rosen Gallery, NY, USA, 2005
The O Show,
Shore Institute of the Contemporary Arts, Long Branch, New Jersey, USA, 2005
Kresge Foundation Gallery,
Ramapo College, Mahwah, New Jersey, USA, 2005
Studio: Seven Months of My Aesthetic Education (Plus Some) NYC Version and Climaxed,
Metropolitan Museum of Art, New York; Musée d’Orsay, Paris, France, 2005
The sun rises in the evening,
Feature Inc., NY, USA, 2005
Word of Mouth, A Selection: Part 1,
Dinter Fine Art, NY, USA, 2004
Curious Crystals of Unusual Purity,
P.S.1 Contemporary Art Center, Long Island City, USA, 2004
All That Glitters,
Islip Art Museum, curated by Karen Shaw, East Islip, NY, USA, 2002
GTt2,
Yerba Buena Center for the Arts, curated by ANP, San Francisco, USA, 2002
Sharon Kaitz/B. Wurtz,
Allston Skirt Gallery, Allston, Massachusetts, USA, 2001
Double Visions,
Adam Baumgold Gallery, NY, 2001
Texty, M du B, F, H & g, Montreal,
Musée des Beaux-Arts, curated by Robert Nickas, Dole, France, 2001
Not a. Lear,
Gracie Mansion Gallery, New York, USA, 2001
Allston Skirt Gallery, curated by ANP, Boston, USA, 2001
Een Goed In De Weg Staande Tafel,
Galerie van Gelder, curated by Jack Jaeger, Amsterdam, The Netherlands, 2001
Bubbles,
Center for Contemporary Non-Objective Art, curated by Edith Doove, Brussels, Belgium, 2000
3ness,
Museum Dhondt-Dhaenens, Deurle, Belgium, 2000
Not a Lear,
Torch, Amsterdam; Art Process, Paris (2001); Galerie S. & H. De Buck, Ghent, Belgium (2001), 2000
Would have had.,
Cabinet, London, UK, 1999
Cookie Snow Feature,
Cokkie Snoei, Rotterdam, The Netherlands, 1999
Pretty Happy Painting (with Michael Lazarus and David Moreno),
M du B, F, H & g, Montreal, Canada, 1999
Sticker Shock: Artists’ Stickers,
Institute of Contemporary Art, Philadelphia, USA, 1999
Surface As Structure,
Claremont Graduate University, curated by Sue Spaid, Claremont, CA, USA, 1999
Word Perfect,
Gallery 400, University of Illinois at Chicago, USA, 1998
f.i.s.t.,
ANP, Antwerp, Belgium, 1998
Science,
Feature Inc., NY, USA, 1998
Opens,
M du B, F, H & g, Montreal, Canada, 1998
Fake Ecstasy With Me,
Museum of Contemporary Art, Chicago, USA, 1997
Normotic,
One Great Jones, curated by David Humphrey, NY, USA, 1997
At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996,
Herbert F. Johnson, 1997; Museum of Art, Cornell University, Ithaca; Maryland Institute College of Art, Decker Galleries, 1997
Baltimore; Art Gallery of Ontario, Toronto; Art Gallery of Windsor, Windsor, Ontario; Virginia, USA, 1997
Beach Center for the Arts, Virginia Beach; Center on Contemporary Art, Seattle; Edmonton Art,
Gallery, Edmonton, Alberta; Laguna Art Museum, Laguna Beach (catalogue), 1997
Bring Your Own Walkman, W139, curated by Jack Jaeger, Amsterdam, 1997
Hello, Feature Inc., with Dike Blair, Vincent Fecteau and Richard Hawkins, New York, 1997
Flying Buttress Please, Torch, Amsterdam, 1997
Twist, Galerie Ghislaine Hussenot, with Jean-Philippe Antoine and Stephan Melzl, Paris, 1997
Acts of Obsession, Carla Stellweg Gallery, New York, 1996
Invitational +, Adam Baumgold Fine Art, New York, 1996
It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art, Contemporary Arts Center, Cincinnati, 1995
Representational Drawings, Feature Inc., New York, 1995
Strung Into the Apollonian Dream…, Feature Inc., New York, 1995
Smells Like Vinyl, Roger Merians Gallery, organized by Sarah Seager and Thaddeus Strode, New York, 1995
Stretch Out and Wait, Richard Telles Fine Art, Los Angeles, 1995
Lessons in Life: Photographic Works from the Boardroom Collection, Art Institute of Chicago, 1994
Sex, Adam Baumgold Fine Art, New York, 1994
Paintings, Feature Inc., New York, 1994
Projets et Dessins, Galerie Claire Burrus, Paris, 1994
Wood Works, Adam Baumgold Fine Art, New York, 1994
Influx, Gallery 400, University of Illinois at Chicago, 1993
Les Petits Riens de la Vie, La Galerie Volée à Une Muse, Lyon, France, 1993
The Return of the Cadavre Exquis, The Drawing Center, New York; Corcoran Gallery of Art,
Washington; Forum for Contemporary Art, St. Louis; Fundación para el Arte Contemporáneo,
Mexico City; Santa Monica Art Museum, Santa Monica, 1993
Another Subjectivity, Galerie Martina Detterer, Frankfurt, 1992
Jori Felice, Richard Hawkins, B. Wurtz, Roy Boyd Gallery, Santa Monica, 1992
Tattoo Collection, Galerie Jennifer Flay and Urbi et Orbi, Paris; Daniel Buchholz, Cologne; Andrea Rosen Gallery, New York; Centre Regional d’Art Contemporain, Nantes, France; Air de Paris, Nice, France; organized by Air de Paris and Urbi et Orbi, 1992
Objectionable Beauty, Jan Kesner Gallery, Los Angeles, 1991
Rocking Horses for Children in Crisis, Lorence-Monk Gallery, New York, 1991
Directly On and Off the Wall, Palm Beach Community College, Museum of Art, Lake Worth, Florida, 1991
Work on Paper, Paula Allen Gallery, New York, 1990
The Thing Itself, Feature, New York, 1990
Perspectives on Place: Attitudes Towards the Built Environment, State University Art Gallery, San Diego, 1990
The New School Collects: Recent Acquisitions, Parsons School of Design, curated by Kathleen Goncharov, New York, 1990
Marta Cervera Gallery, New York, 1989
Buttinsky, Feature, New York, 1989
Cinderella Rockefeller, Feature, New York, 1989
Poetic Objectives, Curt Marcus Gallery, curated by Gordon VeneKlasen, New York, 1989
Romancing the Stone, Feature, New York, 1989
Dorothy, Center for Contemporary Art, curated by Hudson, Chicago, 1989
Double Take, Contemporary Arts Center, Cincinnati, 1989
Photo Poetics, Jack Shainman Gallery, Washington, 1988
The Logic of Display, P.S.1, The Institute for Art and Urban Resources, Long Island City, 1988
Re:Placement, Los Angeles Contemporary Exhibitions, Los Angeles, 1988
A Visible Order, Otis/Parsons Exhibition Center, Los Angeles, 1988
Near Miss, Feature, Chicago, 1988
Photography on the Edge, Haggerty Museum of Art, Marquette University, Milwaukee, 1988
Information as Ornament, Feature and Rezac Gallery, Chicago, 1988
New Strategies, Jan Kesner Gallery, Los Angeles, curated by Clayton Press and Gregory Linn, 1988
(of Ever-Ever Land i speak), Stux Gallery, curated by Christian Leigh, New York, 1987
Small Scale Sculpture, Atlanta College of Art Gallery, Atlanta, 1987
Actualities, Ledis Flam Gallery, Brooklyn, 1987
Signs of Intelligent Life, Greathouse Gallery, New York, 1987
Jan Baum Gallery, Los Angeles, 1987
Sculpture, Bess Cutler Gallery, New York, 1987
Post-Abstract Abstraction, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1987
Gallery Artists, Bess Cutler Gallery, New York, 1987
Nature, Feature, Chicago, 1987
INTAR Latin American Gallery, curated by Hudson, New York, 1987
CalArts: Skeptical Belief(s), Renaissance Society at the University of Chicago; Newport Harbor Art Museum, Newport Beach, California (catalogue), 1987
Promises, Promises, Feature, Chicago, 1986
Six Sculptors, Artists Space, New York, 1986
Religion: Painting and Sculpture, Tibor de Nagy Gallery, New York, 1986
Post Olympic Art, Galerie Beau Lezard, Paris, 1985
Post Olympic Art, Los Angeles Contemporary Exhibitions, Los Angeles, 1984
Lynne Henkel, B. Wurtz, Los Angeles Contemporary Exhibitions, Los Angeles, 1981

EDUCATION, AWARDS, AND HONOURS

2013 The Lab Grant Program Artist, Dieu Donné, New York

2012 The Pollock-Krasner Foundation, Inc.

2008 Peter S. Reed Foundation

1991 Artist and Homeless Collaborative, Park Avenue Women’s Shelter, New York

1984 National Endowment for the Arts, Honorarium (Post-Olympic Art)

1980 California Institute of the Arts, Valencia, CA; MFA.

1970 University of California at Berkeley, Berkeley, CA; BA

SELECTED PROJECTS, PUBLICATIONS, AND REPRODUCTIONS

Sam Gordon & B. Wurtz, North Drive Press (#5), 2010

Salon XXIV The Journal, curated by Joe Bradley (#24), 2008

Begin Again Right Back Here, White Columns, curated by B. Wurtz, New York, 2008

Untitled publication, Feature Inc., New York (#1 Spring), 2007

Blocks, onestar press, Paris, 2006

Some Blocks, Dinter Fine Art Project Room (March-April), 2006

Waters, John, and Bruce Hainley. Art: A Sex Book, Thames and Hudson, New York: 115, 121, 124, 135, 180; 2003

Chelsea, Connaissance des Arts (November): 14-15, 2000

Hudson. Stroboscopes, Documents sur L’Art, (#7 Spring): 9, 1995

Troncy, Eric, L’Endroit Idéal (Ideal Place), L’Ile du Roy, Centre d’Art et Jardin, Val de Reuil, France: 170–171; 1993

Farm 5, with Raymond Pettibon and Dodie Bellamy, Feature and Instituting Contemporary Idea, New York, 1992

LACE: 10 Years Documented, with Joy Silverman, Los Angeles Contemporary Exhibitions, Los Angeles: 36, 55, 82, 1989

Farm 2 (Head Sex), Feature and Instituting Contemporary Idea, Chicago, 1987

Farm, Feature and Instituting Contemporary Idea, Chicago, 1986

SELECTED BIBLIOGRAPHY

2013

Scheldahl, Peter. “B. Wurtz,” The New Yorker (April 15): 14.

2012

Baran, Jessica. “B. Wurtz at White Flag Projects,” Art in America (December): 192.

“John Newman and B. Wurtz,” BOMB (Summer): 24-33.

Wurtz, B. and Steel Stillman. B. Wurtz: Food and Watercolors, Publication Studio, Portland, Oregon.

2011

Reber, Simone. “Antic Measures,” Artnet.com (December 22).

Levin, Kim. “Review,” Artnews (November).

Reisman, David. “Review,” Frieze (October).

Wilson, Siona. “Review,” ArtReview (October).

Neustein, Andrea. “Review,” Flash Art (October).

Turvey, Lisa. Artforum (October).

MacQueen, Kathleen. “Shifting Connections: Summer Shorts,” BOMBlog (September 2).

Rosenberg, Karen. “All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art,” New York Times (August 7).

Indrisek, Scott. “The Pleasures of the Prosaic at the Bridgehampton Biennial,” Modern Painters (15 August).

Sharp, Chris. “The Big Picture,” Ian Pedigo: 11-18.

“Goings On About Town,” New Yorker (August 8).

Salsbury, Britany. “B. Wurtz,” artforum.com (July 26).

Esplund, Lance. “Review,” Wall Street Journal (July 23).

Smith, Roberta. “An Artist Who Makes Much Out of Very Little,” New York Times (July 1): C23.

Kimball, Whitney. “B. Wurtz: Works at Metro Pictures,” artfagcity.com (June 29).

Sterns, Jamie. “B. Wurtz, 1970 – 2011—Metro Pictures,” Ya Ya Ya (June 27).

Baker, R.C. “Best in Show: B. Wurtz at Metro Pictures,” Village Voice (July 6).

Wilson, Michael. “B. Wurtz and Peter Nadin Prove It’s Easy Being Green,” New York Observer (July 5).

Barliant, Claire. “Review: B. Wurtz, Works 1970–2011,” Time Out New York (July 5).

Indrisek, Scott. “Simple Quirks: B. Wurtz Gets Appreciated,” Modern Painters (Summer): 21.

McClemont, Dough. “Dough McClemont’s Top Ten New York Shows in July,” Saatchi Online Magazine (July 13)

Miranda, Carolina. “This Week: Must-See Arts in the City,” WNYC Culture (June 23).

Rosenberg, Karen. “Review of Salon Zürcher,” New York Times (March 4): C25.

2010

Killam, Brad and Michelle Grabner. “Can I Come Over to Your House? The First Ten Years of The Suburban, 1999-2009,” Poor Farm Press, Manawa, Wisconsin.

Peck, Aaron. “Review,” Artforum.com (Summer).

Smith, Roberta. “Same Sight Slighter,” New York Times (May 13).

2009

Adler, Dan. “Phot(o)bjects,” Frieze (September).

Griffin, Kevin. “Breaking through Dimensions: Photo Show Challenges Convention,” Vancouver Sun (May 22).

Vogel, Sabine. “Correspondences,” Artforum.com (May 18).

Horny, Henriette. “Fremde Herren in den eigenen Geschäften,” Kurier (May 4).

Fessler, Anne Katrin. “Alternativkommandos und geladene,” Störköche Der Standard (May 8).

“Slideshow: Viennafair 2009,” Art – Das Kunstmagazin (May 11).

Cotter, Holland. “Review of Peanut Gallery,” New York Times (January 30).

2008

Hodge, Brook. “Seeing Things: Flower Power,” The Moment: The New York Times Style Magazine Blog (June 26).

McQuaid, Cate. “Breaking Down the Beauty of Styrofoam,” Boston Globe (March 28).

Smith, Roberta. “Review of Begin Again Right Here,” New York Times (October 3).

Steele, Robin. “RISD Museum’s Styrofoam’ Features Kilted Lincoln,” Brown Daily Herald(March 31).

Van Siclen, Bill. “Flights of Foam at RISD,” Providence Sunday Journal (March 9).

Velasco, David. “Nayland Blake at Matthew Marks,” Artforum.com (February 22).

2007

Baker, Kenneth. “Wurtz Plays with Architecture, Illusion,” San Francisco Chronicle (November 3): E10.

Brooks, Amra. “Our Favorite Shows and Artifacts: Art to Live For,” LA Weekly (December 26).

Clark, E.K. “Back to Basics,” NY Arts (January/February).

Frank, Peter. “The Big Picture and the Small,” LA Weekly (February 14).

Helfand, Glen. “B. Wurtz at 871 Fine Arts,” Artforum.com (November 8).

Knight, Christopher. “When Mere Gray Is More Than Gray,” Los Angeles Times (April 20).

McQuaid, Cate. “Arts and Entertainment,” Boston Globe (March 15).

Ollman, Leah. “Around the Galleries,” Los Angeles Times (January 12): E32.

2006

Andrews, Betsy. “The Chair, Reconsidered,” Idaho Mountain Express (June 14).

Baker, R.C. “Chicken and Eggs,” Village Voice (September 13-19).

Jones, Kristin. “Review of Dereconstruction,” Frieze (October).

Masters, H.G. L Magazine (August 30).

McKinnon, John. Time Out Chicago(October 19).

Princenthal, Nancy. Art in America (December).

Velasco, David. “Critics’ Picks,” Artforum.com (September 18).

Velasco, David. “Review of Dereconstruction,” Artforum (September): 374.

Winkleman, Edward. “Artist of the Week,” edwardwinkleman.blogspot.com (July 10).

“Review,” Art MoCo(October 31).

Update, Interior Design (June): 38.

2005

Cotter, Holland. “The Sun Rises in the Evening,” New York Times (June 10): E44.

Hainley, Bruce. “Only Connect : The Art of B. Wurtz,” Artforum (October): 242-247.

2004

White, Roger. “Curious Crystals of Unusual Purity,” Brooklyn Rail (September): 17.

2002

Olson, Marisa. “Guide to Trust No. 2 at the Yerba Buena Center for the Arts,” Artweek (May).

2001

Cotter, Holland. “Review,” New York Times (December 14): E40.

Cotter, Holland. “Not a. Lear,” New York Times (October 12): E37.

Grabner, Michelle. “Review,” Frieze (April): 96.

McQuaid, Cate. “Everyday Epiphanies,” Boston Globe (April 19): D6.

2000

Johnson, Ken. “Review,” New York Times (January 28): E37.

1999

Boström, Patrik. “Review,” Västerbottens Folkblad (March 15): 3.

Hainley, Bruce. “Best of the 90’s: Top Ten,” Artforum (December): 130.

Ivy, Angus. “Wop: ANP Antwerp, Belgium,” Zingmagazine (Spring/Summer): 230.

1998

Hainley, Bruce. “Boys will be Boys,” Frieze (November/December): 42.

Schmerler, Sarah. “Review,” Time Out New York (September 24): 61.

1997

Cotter, Holland. “A Show That Could Travel In Just a Carry-On Bag,” New York Times (December 14) : E44-45.

Doran, Anne. “Review,” Time Out New York (August 7): 47.

Kandel, Susan. “Review,” Los Angeles Times (May 16): F21.

Madestrand, Bo. “Review,” Expressen (January 7): 4.

Peeters, Mark. “Review,” NRC Handelsblad (January 17).

Rian, Jeff. “Letter from Paris,” Artnet.com (March 24).

1996

Ericsson, Lars. “Review,” Dagens Nyheter (December 20): B3.

1995

Levin, Kim. Village Voice (March 28): 9.

1993

Levin, Kim. Village Voice (May 11): 75.

Princenthal, Nancy. “Artist’s Book Beat,” Print Collector’s Newsletter (March/April): 28.

Robinson, Walter. “Music to Your Eyes: CD Covers Play Tribute to Modern Masterpieces,” Mademoiselle (October): 102.

Saltz, Jerry. “Mayday, Mayday, Mayday,” Art in America (September): 41-45.

Smith, Roberta. “Review,” New York Times (May 14): C26.

Weidenbaum, Marc. “More Pictures + Music,” Pulse! (August): 17.

1992

Pagel, David. “Review,” ArtIssues (March/April): 34.

1991

“Goings On About Town,” New Yorker (April 29): 17.

Schjeldahl, Peter. “The Salon of April,” Village Voice (May 14): 86.

Schwan, Gary. “On and Off-The-Wall Art,” Palm Beach Post (April 5): 35.

1990

Gutterman, Scott. “Natural and Unnatural Causes,” Art International (Autumn): 58.

Harris, Patty. “Four Summer Art Shows,” Downtown (August 29): 12-13.

Smith, Roberta. “The Group Show as Crystal Ball,” New York Times (July 6): C1.

1989

Cooper, Dennis. “Review,” Artforum (Summer): 143.

Haus, Mary. “Review,” ARTnews (December): 169-170.

Hixson, Kathryn. “Review of Dorothy,” Chicago in Review (November): 110.

Smith, Roberta. “Romancing the Stone,” New York Times (August 11): C21.

1988

Finnegan, Patrick. “Photo Poetics,” Washington Blade (April 1): 21.rundberg, Andy. “The Logic of Display,” New York Times (January 29).

Knight, Christopher. “Re:Placement Parts: Alternative Galleries Break Down Walls,” Los Angeles

Herald Examiner (March 20): E10.

McCoy, Pat. “ (of Ever-Ever Land I speak) ,” Artscribe International (January/February): 73.

Raczka, Robert. “The Next Generation,” Afterimage (November): 20-21.

Richard, Paul. “Photo Poetics,” Washington Post (March 25).

Thorson, Alice. “Photo Poetics,” Washington Times (March 31).

1987

Artner, Alan. “Review,” Chicago Tribune (March 12): 9F.

Handy, Ellen. “The Four Corners of Abstraction,” Arts (November): 108-109.

Zimmer, William. “Post-Abstract Abstraction in Ridgefield,” New York Times (July 5).

1984

Drohojowska, Hunter. “An Exhibit to Lift Your Post-Olympic Spirits,” Los Angeles Herald

Examiner (September 7): 27.

Relyea, Lane. “Focus on Cultural Differences,” Artweek (September 29): 6.

1981

Ricky, Carrie. “Art Attack,” Art in America (May): 41-48.

Exhibitions

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