Selected Works

Iain Forsyth and Jane Pollard, EDIT, 2014, single channel video with sound, 30 mins
Iain Forsyth and Jane Pollard, Chain Smoker Tap Dancer, 1995, video
Iain Forsyth and Jane Pollard, Chain Smoker Tap Dancer, 1995, video
Iain Forsyth & Jane Pollard with Nick Cave, 20,000 Days on Earth, 2013
Iain Forsyth and Jane Pollard, 20,000 Days on Earth, 2013, feature-length film
Iain Forsyth & Jane Pollard, 20,000 Days on Earth, 2013, feature-length film
Iain Forsyth & Jane Pollard, Romeo Echo Delta, installation view, Kate MacGarry, 2011
Iain Forsyth and Jane Pollard, Silent Sound, installation view, St. George's Hall, Liverpool, 2006/7
Iain Forsyth and Jane Pollard, Radio Mania: An Abandoned Work, Installation view, BFI Southbank Gallery, London, 2009, photo: Dave Morgan
Iain Forsyth and Jane Pollard, Soon, site-specific live event, Nuit Blanche, Toronto, 2011
Iain Forsyth and Jane Pollard, Publicsfear, 2011, Installation view, South London Gallery
Iain Forsyth & Jane Pollard, Walking After Vito Acconci, 2005, single channel video, 24 mins
Iain Forsyth and Jane Pollard, Walking Over Acconci (Misdirected Reproaches), 2008, Blu-Ray HD video, 15 mins
Iain Forsyth and Jane Pollard, Silent Sound, 2006/7, custom-built sound installation including bespoke silent sound machine
Iain Forsyth and Jane Pollard, Kiss My Nauman (still - The Catman), 2007, 4 channel HDV projection, silent, duration: 47 mins
Iain Forsyth and Jane Pollard, Make Me Yours Again, 2007, single channel PAL DV with sound
Iain Forsyth and Jane Pollard, A Rock 'N' Roll Suicide, 1998 Live event, ICA London
Iain Forsyth and Jane Pollard, File Under Sacred Music, 2003, single channel video, 22 mins
Iain Forsyth and Jane Pollard, A Rock 'N' Roll Suicide, 1998, Live event, ICA London
Iain Forsyth & Jane Pollard, Performer. Audience. Fuck Off, 2009, HD video, 34 mins
Iain Forsyth & Jane Pollard, Soon, , site-specific live event, Nuit Blanche, Toronto, 2011




Iain Forsyth & Jane Pollard, Kate MacGarry, 2017
Requiem for 114 Radios, Colston Hall Bristol, UK, 2016
Idiot Box, Kate MacGarry, London, UK, 2015
EDIT, at Tyneside Cinema, Newcastle, UK 2014
20,000 Days on Earth (Feature Film with Nick Cave) Sundance Film Festival, Utah, U.S.A, 2014
Bish Bosch: Ambisymphonic (with Scott Walker). Sydney Opera House, Australia, 2013
Jumpers (What must I do to be saved) Live at LICA Lancaster, UK, 2013
Iain Forsyth & Jane Pollard, Kate MacGarry, London, UK, 2011
Romeo Echo Delta, FACT, Liverpoll and BBC Radio Merseyside, UK, 2011
Soon, Nuit Blanche Toronto, Canada, 2011
PUBLICSFEAR, South London Gallery, London, UK, 2011
Silent Sound (live performance), AV Festival, Middlesbrough Town Hall, UK, 2010
Do you love me like I love you, Premiere and Q&A with Nick Cave, NFT1, BFI Southbank, London, UK, 2009
Radio Mania: An Abandoned Work, BFI Southbank Gallery, London, UK 2009
Iain Forsyth & Jane Pollard, Void Gallery, Derry, UK, 2009
Performer. Audience. Fuck Off. Site Gallery, Sheffield, UK, 2009
Iain Forsyth & Jane Pollard, Kate MacGarry, London, UK, 2008
Run For Me (screening), Introduced by Andrew Graham-Dixon, ArtProjx at Prince Charles Cinema, London, UK, 2008
Run For Me, Baltic, Gateshead, UK, 2008
Iain Forsyth & Jane Pollard, Lawrence Eng, Vancouver, Canada, 2008
Re-Performance Piece, Musée d’art moderne Grand-Duc Jean, Luxemborug, 2008
Silent Sound (installation), Art Positions, Art Basel Miami Beach, U.S.A, 2007
The 24 seven, Milton Keynes Gallery, Milton Keynes, UK, 2007
Precious Little, MIC Toi Rerehiko, Auckland touring to Physics Room, Christchurch, NZ, 2007
Anyone else isn’t you, BRITDOC, Keble College, Oxford, 2007
Kiss My Nauman, Jarvis Cocker’s Meltdown Festival, Royal Festival Hall, London, 2007
Silent Sound (installation), A Foundation at Greenland Street, Liverpool, UK, 2006
Silent Sound (live performance), St. George’s Hall, Liverpool, UK, 2006
Change My Life, Noyes Gallery, Yellow Springs, Ohio, U.S.A, 2006
Iain Forsyth & Jane Pollard, Jerwood Space, London, UK, 2006
Anyone else isn’t you, Kent Institute of Art and Design, Maidstone, UK, 2005
Iain Forsyth & Jane Pollard, Brighton Film Festival, Brighton, UK, 2005
Iain Forsyth & Jane Pollard, Kate MacGarry, London, UK, 2005
Anyone else isn’t you, The Hospital, London, UK
Everybody else is wrong, Pavilion, Montreal, Canada, 2004
File under Sacred Music, Institute of Contemporary Arts, London, UK, 1998
A Rock ‘N’ Roll Suicide, Institute of Contemporary Arts, London, UK, 1998
The kids are alright, Institute of Contemporary Arts, London, UK, 1998
The Smiths is dead, Institute of Contemporary Arts, London, UK, 1997
Doing it for the Kids, Bluecoat Arts Centre, Liverpool, UK, 1997
The World Won’t Listen, Underwood Street Gallery, London, UK, 1996


Terrible two Villa Du Park, Annemasse, France, 2013
Fans Attitudes – Images de l’Adoration 106 Rouen, France, 2013
Take Two FMAC Fonds d’art Contemporain, Geneva, Switzerland, 2013
Red, White and Blue Chelsea Space, London, UK, 2012
Mass production. Video Art Lounge for East End Film Festival (Curated), UK, 2012
Hot Trigger Newbridge Space, Newcastle, UK, 2012
Hear it! Stedelijk Museum, Amsterdam, Netherlands, 2012
Thank You for The Music!, Museum of Contemporary Art Kiasma, Helsinki, Finland, 2012
Samsung Art+ Prize, British Film Institute, London, UK, 2012
To pay to the generosity of the three-minute punk-rock song, Crate Space, Margate, UK, 2011
Was I there?, Peter Scott Gallery, Lancaster, UK, 2011
Double Democracy, Art: Gwangju, South Korea, 2011
LIVE! L’arte incontra il rock, Centro per l’arte contemporanea Luigi Pecci, Prato, Italy, 2011
Replay, Musée d’Art Moderne Grand-Duc Jean, Luxembourg, 2011
Multiple Takes. 68m2 Art Space, Copenhagen, Denmark 2011
Tender Is The Night. City Gallery, Wellington, NZ
In The Long Run, Great North Museum: Hancock, Newcastle upon Tyne, UK
New Film and Video from the Arts Council Collection, touring the UK March 2010 – November 2011 to: Museum and Art Gallery, Derby;Longside Gallery, near Wakefield; DLI Museum and Durham Art Gallery, Durham; Taigh Chearsabhagh Museum, Lochmaddy; OVADA, Oxford; The Brindley, Runcorn; Museum and Art Gallery, Newport; Lightbox, Woking; The Collection, Lincoln; Rhyl Library Art Gallery, Rhyl., UK, 2010
Black Mirror, Centre d’art scénique contemporain, Lausanne, Switzerland, 2010
Talking Heads, Irish Museum of Contemporary Art, Dublin, Ireland, 2010
Recent acquisitions, De Hallen Museum, Haarlem, NL, 2009
Down At The Bamboo Club, Picture This Atelier, Bristol, UK, 2009
V-Effekt / In and Out of Place, Bibliothekswohnung, Berlin, Germany, 2009
MarzLive, Marz Galeria, Lisbon, Portugal, 2009
Desiring Necessities, John Hansard Gallery, Southampton, UK, 2009
Pete and Repeat, 176/zabludowicz Collection, London, UK, 2009
The Communism of Forms, The Art Gallery of York University, Toronto, Canada, 2009
Meeting Point, Doris McCarthy Gallery, Toronto, Canada, 2009
Structures, Club Transmediale Festival for Adventurous Music and Related Visual Arts, Berlin, Germany, 2009
This Is The Gallery And The Gallery Is Many Things, Eastside Projects, Birmingham, UK, 2008
In the space of elsewhere, Stanley Picker Gallery, Kingston upon Thames, UK, 2008
Art & Music in Popular Cuture, Museum of Modern Art, New York, U.S.A, 2008
Affectionate Homages and Hostile Takeovers, The Power Plant, Toronto, Canada, 2008
I have no issues, Lawrence Eng, Vancouver, Canada, 2008
Into The Music, Kunstraum Muenchen, Munich, Germany, 2008
Sonic Youth, Green on Red, Dublin, Ireland, 2008
The Happy Land, National Film Theatre, Southbank, London, UK, 2008
The Perception of Ideas Leads to New Ideas, Kunstverein für die Rheinland und Westfalen, Düsseldorf, Germany, 2008
Popshop, MU, Eindhoven, NL, 2008
I desired what you were… I need what you are, Maze, Turin, Italy, 2008
Past Forward, 176, London, UK, 2008
History Will Repeat Itself, HMKV, Dortmund touring to Kunst-Werke, Berlin and CCA, Warsaw, Poland, 2008
Just Play, Edith Russ Site for Media Art, Oldenburg, Germany, 2008
Volume(s), Casino Luxembourg, Luxembourg, 2008
Medium Cool, Art in General, New York, U.S.A, 2008
Unpacking the Archive, 1:1 Projects, Rome, Italy, 2008
Nick Cave – The Exhibition, The Arts Centre, Melbourne, Australia, 2007
Amass, Boots Contemporary Art Space, Missouri, U.S.A, 2007
Grain, Isle of Grain, Kent, UK, 2007
A Second Life, Stadtgalerie, Bern, Switzerland, 2007
The Communism of Forms, Vermelho Gallery, Brazil, 2007
The Weasel, South London Gallery, London, UK, 2007
Overtake: The Reinterpretation of Modern Art, Lewis Glucksman Gallery, Cork, Ireland, 2007
Harry Smith Anthology Remixed, alt.vinyl Gallery, Newcastle touring to Centre for Contemporary Arts, Glasgow, UK, 2007
After The Fact, BFI Southbank, London, UK, 2007
Navigations: per Forma, Temple Bar Gallery, Dublin, Ireland, 2007
Love & Anarchy, K3, Zurich, Switerland, 2007
…Ma come mai? Paulo Bonzano Memorial Exihibition, Galleria Paulo Bonzano, Rome, Italy, 2007
Street: Behind The Cliché, Witte de With, Rotterdam, NL, 2006
Neo-Con: Contemporary Returns to Conceptual Art, Apex Art, New York; touring to The British School at Rome, Italy, 2006
37 Seconds, The Big Screen, Liverpool, UK, 2006
Switch on the Power! Noise and Policies on Music, Museum of Contemporary Art, Vigo; touring to Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria and Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain
Et Tu Tribute, Edinburgh College of Art, Edinburgh, 2006
Black: Implication Flooding, Colony, Birmingham, UK
Metropolis Rise: New Art from London, CQL Design Center, Shanghai touring to Dashanzi, Beijing, China, 2006
Music for People, Dundee Contemporary Arts, Dundee, UK, 2006
Surfing the Surface, Galleria Paolo Bonzano, Rome, Italy, 2006
Video London, Espai Ubú, Barcelona, Spain, 2005
Rhythm-A-Ning, Walton’s New School, Dublin touring to Context Gallery, Derry, UK, 2005
Biennale! Temporarycontemporary, London touring to Beijing, Shanghai, Kunming & Canton, 2005
VIPER International Festival for Film, Video and New Media, Basel, Switzerland, 2004
Yugoslav Biennial, Vrsac, Serbia & Montenegro, 2004
Faraway So Close, Bard Center for Curatorial Studies, New York, U.S.A, 2004
This Much Is Certain, Royal College of Art, London, UK, 2004
Artists Films About Music Culture, National Film Theatre, London, UK, 2004
File under Sacred Music, Schaufenster, Oslo, Norway, 2003
Shooting Live Artists, Site Gallery, Sheffield, UK, 2001
Modern Love, hobbypopMUSEUM, Dusseldorf touring to VTO Gallery, London, UK, 2001
Century City, Tate Modern, London, UK, 2001
Kill Yr Idols, Laure Genillard Gallery, London, UK, 1999
Victoria, Laurent Delaye, London, UK, 1997
Beck’s New Contemporaries ‘97, Cornerhouse, Manchester touring to Camden Arts Centre, London and Centre for Contemporary Arts, Glasgow (selected by Sarat Maharaj, Hans Ulrich Obrist and Gillian Wearing), UK, 1997
Yerself is Steam, 85 Charlotte Street, London (curated by Iain Forsyth & Jane Pollard), UK, 1996
Life/Live, The art scene of the United Kingdom in 1996 Musée d’Art Moderne de la Ville de Paris., France, 1996
The Hanging Picnic, Factual Nonsense, Hoxton Square, London, UK, 1995


Worm Tamer. Grinderman (Mute Records), 2011
Do you love me like I love you. A series of 14 films commissioned by Nick Cave, 2010
and The Bad Seeds to accompany the reissue of their entire back-catalogue (Mute Records), 2010
I’m New Here. Gil Scott-Heron (XL Recordings), 2010
Black Smoke. Tindersticks (4AD), 2010
The Walls Are Coming Down, Fanfarlo (Big Dipper), 2009
The Death of Bunny Munro, Nick Cave (Canongate Books),(DVD content and 3D Audiobook produced and directed by Iain & Jane), 2009
The Letter, The Veils (Rough Trade Records), 2008
Midnight Man, Nick Cave & The Bad Seeds (Mute Records), 2008
More News From Nowhere, Nick Cave & The Bad Seeds (Mute Records), 2008
Night of the Lotus Eaters, Nick Cave & The Bad Seeds (Mute Records), 2008
Dig, Lazarus, Dig!!! Nick Cave & The Bad Seeds (Mute Records), 2008
The Treacle Sessions, Grinderman (Mute Records), 2007

Forsyth and Pollard studied together in London.
MA Fine Art – Goldsmiths College, 2002 – 04
BA Fine Art & Art Theory – Goldsmiths College, 1992 – 95


Heathfield, Adrian and Amelia Jones (edited by), Perform, Repeat, Record: A Critical Anthology of Live Art in History, Iain Forsyth & Jane Pollard in conversation with Andrew Renton, Routledge, 2012
Nauha, Tero, Converging Perspectives: Writings on Performance Art, Theatre Academy, Helsinki
Reynolds, Simon, Retromania. Faber and Faber, 2011
Fisher, Mark, The BFI Gallery Book, BFI, edited by Elisabetta Fabrizi, 2011
Constantini, Marco, Black Mirror, Espace d’Art Contemporain, Lausanne: Les Abris. (in French)
Neset, Anne Hilde,Monstrosity of Sound and the Sound of Monstrosity: 25 An Anthology for the 25th Anniversary of BIT Teatergarasjen, Bergen, Norway, 2010
Miller, Earl, Meeting Point, Doris McCarthy Gallery, Toronto, 2010
Cocker, Jarvis, Pete And Repeat, 176/Zabludowicz Collection, London, 2010
Bracewell, Michael, Desiring Necessities, John Hansard Gallery, Southampton, 2010
Colsell, Ilsa, In The Space of Elsewhere, Stanley Picker Gallery, University of Kingston, 2008
Gianni, Ilaria, I desired what you were… I need what you are, Galleria Maze, Turin, 2008
Colsell, Ilsa, and Ben Borthwick, Past Forward, 176, London, 2008
Angelaki, Routledge, Visual project by Iain Forsyth & Jane Pollard, 2007
Miller, Earl, comunismo da Forma, Som, Immagem E Política da Arte, Alameda Casa, Sao Paulo, 2007
Hoffman, Anke, History Will Repeat Itself, HMVK, Dortmun, 2007
Film Festival Rotterdam, Rotterdam, 2007
Farinati, Lucia, Iain Forsyth & Jane Pollard, Audio Arts Volume 25,2007
Canziani, Cecila, …Ma come mai? Paolo Bonzano Memorial, Galleria Paolo Bonzano, 2007
Liverpool Art Tripper, The Power of Art Podcasts, commissioned by the BBC and Arts Council England
Colsell, Ilsa, 2006
Silent Sound, A Foundation, Liverpool. With audio CD, Bangma, Anke, Steve Rushton, and Florian Wu, 2006
Experience, Memory, Re-Enactment, 2006
Revolver, Gross, Anthony, Metropolis Rise, Temporary Contemporary, Shanghai and Beijing, 2006
Momus, Steve Lamacq and JJ Charlesworth, Anyone else isn’t you, The Hospital, London, 2005
Biennale! Temporary Contemporary, London, 2005
VIPER International Festival for Film, Video and New Media, Viper, Basel, 2004
Mitrovic, Sinisa, Yugoslav Biennial, Vrsac, Serbia & Montenegro, 2004
McCarthy, Tom, This Much Is Certain, Royal College of Art, London,
Buckley, David, Strange Fascination: David Bowie – The Definitive Story, Virgin Books, 1997
Momus and Liam Gillick, Words & Pictures, issue 10 *
Crawford, Neil, Words & Pictures, issue 9 *
Craddock, Sacha, Beck’s New Contemporaries, Cornerhouse, Manchester
Buck, Louisa, Moving Targets, A Users Guide To British Art Now, Tate Gallery Publishing
Fairhurst, Angus, and Simon Ford, Words & Pictures, issue 8 *, 1996
Childish, Billy, and Simon Cutts, Words & Pictures, issue 7 *
Bill, Simon and Andrew Wilson, Words & Pictures, issue 6 *
Obrist, Hans-Ulrich and Laurence Bossé, Life/Live: The art scene of the United Kingdom in 1996, Musée d’Art Moderne de la Ville de Paris
Wigram, Max and Jake Chapman, Words & Pictures, issue 5 *, 1995
Emin, Tracey and Martin Maloney, Words & Pictures, issue 4 *
Compston, Joshua and Stewart Home, Words & Pictures, issue 3 *
Millar, Jeremy and Dr. Sarat Maharaj, Words & Pictures, issue 2 *, 1994
Versus, Visual Project by Iain Forsyth & Jane Pollard
Momus and Liam Gillick, Words & Pictures, issue 1 *
Words & Pictures – Pilot issue. Text by Iain Forsyth & Jane Pollard*
* Words & Pictures was published and curated by Iain Forsyth & Jane Pollard between May 1994 and November 1997. Each issue was produced in a limited edition of 100 copies and took the form of a boxed container of signed and numbered artists’ editions. Over 200 artists contributed to the project, including: Martin Creed, Jeremy Deller, Matthew Higgs, Andrew Hunt, Alan Kane, Tony Kemplen, Paul McDevitt, Adam McEwen, Simon Periton, Hadrian Pigott, Georgio Sadotti, David Shrigley, Bob & Roberta Smith, Bridgett Smith, Polly Staple, Georgina Starr, Gavin Turk and Jessica Voorsanger. Complete sets of Words & Pictures are held in several major public and private collections including the Victoria & Albert Museum and Tate Gallery in London, The Sackner Archive of Concrete & Visual Poetry in Miami, Yale University Collection of Rare Books and the Museum of Modern Art in New York.


Ward, Ossian, “Samsung Art+ Prize.” FT Weekend Magazine, 14 January, 2012
Ward, Ossian, “Interview with Iain Forsyth & Jane Pollard,” Time Out. 12 January, 2012
Moser, Gabrielle, “Toronto – Nuit Blanche,”. Esse Arts + Opinions, Winter, 2011
Prince, Mark, “Romeo Echo Delta,” Art Monthly, December/January, 2011
Charlesworth, JJ, “Hidden Intentions: When Art Meets Reality,” Art Review, December, 2011
Austen, Kat, “Martians are coming, I heard it on the radio,” New Scientist, 10 November, 2011
Sherwin, Skye, “Romeo Echo Delta,” Guardian Guide, 5 November, 2011
Sheerin, Mark, “Romeo Echo Delta,” Criticismism, 4 November, 2011
Coslett, Paul, “Artists use local radio and Twitter in Halloween hoax,” BBC News, 1 November, 2011
Davis, Laura, “Birkenhead red light UFO was War of the Worlds-style hoax,” Liverpool Daily Post, 1 November, 2011
“Watching From Above: Soon,” Creative Vanity. 5 October, 2011
“The top 10 Nuit Blanche Toronto exhibits,” blogTO, 3 October, 2011
Heighton, Luke, “PUBLICSFEAR at South London Gallery,” Art Review, May, 2011
Cooper, Will, “Susan Hiller, Iain Forsyth & Jane Pollard,” Flamingo Magazine, 23 March, 2011
Down, Lauren, “Exhibition of the Month: Publicsfear,” Snipe Magazine, 14 March, 2011
Herbert, Martin, “Iain Forsyth & Jane Pollard: Publicsfear,” Art Monthly, March, 2011
Hardman, Paul, “Publicsfear at South London Gallery,” Aesthetica, 24 February, 2011
Phillips, Jo, “Publicsfear,” Cent Magazine, 17 February, 2011
Coomer, Martin, “Publicsfear,” Time Out, 10 February, 2011
Sherwin, Skye, “Publicsfear,” Guardian Guide, 5 February, 2011
Turner, Luke, “Silent Sound: Iain & Jane & Jason Pierce Warp Minds In Middlesbrough,”
The Quietus, 5 March, 2010
Metzger, Richard, “Silent Sound,” Dangerous Minds, 3 March, 2010
Forsyth, Iain and Jane Pollard, “Inner Sleeve: Kings of The Wild Frontier,” The Wire, March, 2009
Cox, Paul, “Works from the Zabludowicz Collection,” Art Rocker, November, 2009
Sélavy, Virginie, “Short Cuts: Iain Forsyth & Jane Pollard’s films for Nick Cave,” Electric Sheep, 9 July, 2009
Moats, David, “Iain Forsyth & Jane Pollard on working with Nick Cave,” The Quietus, 7 July, 2009
McGarvey, John, “Nick Cave, Iain Forsyth & Jane Pollard,” The Londonist, 19 June, 2009
Cox, Paul, “Radio Mania: An Abandoned Work,” Art Rocker, June, 2009
Fisher, Mark, “Encounter in the third dimension,” Sight & Sound, June, 2009
O’Reilly, Sally, “Desiring Necessities,” Art Monthly, June, 2009
Nicolson, Fay, “Between Art & Music: An Interview with Forsyth & Pollard,” Nottingham Visual Arts, June, 2009
Downing, Henderson, “Radio Mania: File Under Section 15,” Outside Left, 7 June,2009
Lack, Jessica, “Desiring Necessities,” The Guardian, 30 May, 2009
Jackson, Tina, “Radio Mania: An Abandoned Work,” Metro, 14 May, 2009
Sumpter, Helen, “Recomended: Radio Mania,” Time Out, 20 May, 2009
McLean-Ferris, Laura, “Exhibitionist: The best art shows to see this week,” The Guardian, 15 May, 2009
Jackson, Tina, “Radio Mania: An Abandoned Work,” Metro, 14 May, 2009
Berman, Stuart, “Nick Cave & The Bad Seeds: the Reissues,” Pitchfork, 6 May, 2009
Barr, Noel, “Interview with Iain Forsyth & Jane Pollard,” iNews, 24 April, 2009
Cavanagh, David, “After the Party: the first albums remastered,” Uncut, April, 2009
Jackson, Tina, “Performer. Audience. Fuck Off,” Metro, 26 March, 2009
McLean-Ferris, Laura, “Exhibitionist: The Best Art Shows To See This Week,” The Guardian, 20 March, 2009
Kagiyama, Hiroshi, “Iain Forsyth & Jane Pollard at Art Basel Miami Beach,” Huge, March (in Japanese), 2008
Sherwin, Skye, “Review: Forsyth & Pollard at Kate MacGarry,” Art Review, December, 2008
Carville, Conor, “Iain Forsyth & Jane Pollard,” Frieze, November, 2008
“Iain Forsyth & Jane Pollard,” Canadian Art, November, 2008
Jones, Alice, “Golden Generation: The 20 Best Up-And-Coming Artists,” The Independent, 10 October, 2008
Charlesworth, JJ, “Iain Forsyth & Jane Pollard,” Time Out, 2 October, 2008
“Run For Me David Whetstone,” The Newcastle Journal, 10 September, 2008
Lack, Jessica, “Iain Forsyth & Jane Pollard,” The Guardian Guide, 6 September, 2008
Sherwin, Skye, “Preview: Forsyth & Pollard at Kate MacGarry,” Art Review, September, 2008
Miller, Earl, “To be immersed in the experience of now,” C Magazine, Spring, 2008
Gray, Louise, “Cross Platform,” The Wire, January, 2007
Art Fairs – Art Basel Miami Beach Karen Rosenberg, New York Times, 12 August, 2007
Retro/Necro Pil & Galia Kollectiv, Art Papers, November (cover), 2007
Communismo da foma Alameda, August, 2007
Barry, Rebecca, “Musical Mix,” New Zealand Herald, 27 June, 2007
Griffin, Katey, “Precious Little,” Groove Guide, June, 2007
Parella, Cristiana, “Neo:Con,” Flash Art, April-May (in Itallian), 2007
Chiles, Lawrence, “Stars In Their Eyes,” Wonderland, April, 2007
Sumpter, Helen, “Back To The Future,” Time Out, 14 March, 2007
Clapham, Rachel Lois, “Silent Sound,” AN Magazine, January, 2007
Ward, Ossian, “Iain Forsyth & Jane Pollard,” Monopol, January, 2006
“Music: Best of 2006: Iain Forsyth & Jane Pollard,” Artforum, December, 2007
Griffin, Jonathan, “Silent Sound,” Frieze, Issue 103, November-December, 2007
Lewisohn, Cedar, “Iain Forsyth & Jane Pollard and Jason Pierce,” MAP, Issue 8, Winter, 2007
Gibbs, Michael, “Street: Behind the Cliche,” Art Monthly, November, 2007
Mugan, Chris, “The voice within,” The Independent, 13 October, 2007
Mendelsohn, Adam E, “Be Here Now,” Art Monthly, October, 2007
Clayton, Richard, “Legends of the Fall,” The Sunday Times Culture, 17 September, 2007
“Musical Mind Control,” Bolton Evening News, 11 September, 2007
Lack, Jessica, “Iain Forsyth & Jane Pollard,” The Guardian Guide, 10th June, 2007
Sumpter, Helen, “Private View,” Time Out, issue 1867, 31 May, 2007
Danby, Charles, “Forsyth and Pollard: Take Two,” i-D magazine, Issue 267, June-July, 2005
Wain, Miria, “Iain Forsyth & Jane Pollard,” Untitled, Autumn, 2005
Sumpter, Helen, “Lovers View,” The Big Issue, 17 October, 2005
Halkett, Sinéad, “Rhythm-A-Ning,” Circa, Issue 113, Autumn, 2005
Heany, Joe, “Inside Story,” Gay Times, Issue 332, July, 2005
Walsh, Eileen, “New Exhibition Encourages a Change of Art,” Daily Ireland, 23 June, 2005
Artrocker, Paul, “Got it Taped,” Artrocker, Issue 15, 20 June, 2005
Lamacq, Steve, “My Fidelity,” The Guardian, 4 June, 2005
“When does a sound become art?,” Survey, Art Review, May, 2005
Kollectiv, Pil & Galia, “Remake/Remodel,” Plan B, April/May, 2004
Edwards, Charlotte, “Cream of the Crop,” Independent on Sunday, 4 July, 2004
Edwards, Charlotte, “London’s top 25 new artists,” Art Review, July, 2004
McCormack, Chris, “This Much Is Certain,” Contemporary, June, 2004
Taylor, Craig, “We Love Each Other,” The Guardian Weekend Magazine, 17 April, 2004
Renaud, Philippe, “Les jeux de lamour et du mixtape,” La Presse (in French), 18 February, 2004
Carpenter, Lorraine, “Recording Romance,” Montreal Mirror, 5 February, 2003
Salas, Andre, “Record, Rewind and Eject,” Filmmaker Magazine, Fall, 2003
Unsworth, Cathy, “Psychotic Reaction,” Mojo, September, 2003
Gaskin, Vivienne, “The Second Coming,” Schnitt (in German), Summer, 2003
Ratnam, Niru, “Would a band by any other name smell as sweet?,” i-D magazine, July, 2003
Dyer, Richard, “London News,” Contemporary, June, 2003
White, Ian, “Rewind and repeat to fade,” Art Review, June, 2003
Williams, Michael, “Spastic Fantastic,” Sleazenation, May, 2003
Harrison, Ian, “Cramp Styling,” Mojo, May, 2003
“Parkies Get Cramped,” X-Ray Magazine, April, 2003
Haynes, Rob, “The Power of Re-Presentation,” Metro, 28 March, 2003
Bracewell, Michael, “Kick The Kitsch,” The Independent on Sunday, 23 March, 2003
Aitch, Iain, “It Beats Bingo!,” The Guardian, 17 March, 2003
Carroll, Becky, “File under Sacred Music,” The Guardian Guide, 1 March, 2003
“I’ve built my world around you,” Art Review, February, 2002
Williams, Gilda, “Modern Love,” Art Monthly, February, 1999
Townsend, Chris, “Kill Yr Idols,” Hotshoe International, September / October, 1999
Jones, Jonathan, “Kill Yr Idols,” The Guardian Guide, 15 July, 1999
Sumpter, Helen, “Kill Yr Idols,” Evening Standard, 2 July, 1999
Franzoni, Cristina, “Vision Great Britain: Kill Yr Idols,” Zoom Magazine, July, 1999
Dalton, Gordon, “The Ultimate Mix,” Artists Newsletter, April, 1999
“A Rock N Roll Suicide,” The Bulletin, Belgium, 14 January, 1998
“New Contemporaries,” Scene, August, 1998
“A Rock N Roll Suicide,” Select, August, 1998
Boy George, “Star in their eyes,” The Sunday Express, 12 July, 1998
Coleman, Nick, “Boy, could they play guitar,” The Independent, 10 July, 1998
Sullivan, Caroline, “Ziggy Plays Again,” The Guardian, 4 July, 1998
Bell, Max, “Steve Harvey on,.. A Rock N Roll Suicide,” Hot Tickets, 2 July, 1998
Lusher, Tim, “A Rock N Roll Suicide,” The Evening Standard, 2 July, 1998
“Review – Host,” Contemporary Visual Arts, July-September, 1998
“A Rock N Roll Suicide,” Mojo, July, 1998
Olley, Michelle, “The Starman Cometh,” Attitude, July, 1998
Paytress, Mark, “Ziggy Rises Again,” Record Collector, July, 1998
Corner, Lena, “Ziggy is playing guitar again,” The Big Issue, 29 June, 1998
Heller, Vivienne, “A Rock N Roll Suicide,” The Independent, 27 June, 1998
Sullivan, Caroline, “A Rock N Roll Suicide,” The Guardian Guide, 27 June, 1998
“Lookalike Ziggy played guitar!,” Shropshire Star, 23 June, 1998
Cooper, Tim, “Ziggy is back and hes still a work of art,” The Evening Standard, 23 June, 1998
Reeves, Marcus, “Are They Listening Yet?,” Mister Peculiar, June, 1998
Mulholland, Neil, “Review – Host,” Art Monthly, June, 1997
Wilson, Andrew, “Band Art,” Art Monthly, October, 1997
Lusher, Tim, “The Smiths is dead,” The Evening Standard, 1 August, 1997
Corrigan, Susan, “Pop Art,” i-D Magazine, August, 1997
Barrett, David, “Becks New Contemporaries 97,” Art Monthly, July-August, 1997
Searle, Adrian, “Why oh why Y-fronts,” The Guardian, 5 June, 1997
Simons, Iain, “Doing it for the Kids,” Live Art Magazine, 21 May – 27 July, 1997
O’Rorke, Imogen, “Sod Art, Lets Dance,” The Guardian, 10 July, 1997
Kiley, Penny, “New take on pop is stranger than life,” Liverpool Daily Post, 14 April, 1997
Sound-alike stars are doing it for the kids, Philip Key, Liverpool Daily Post, 7 April, 1997
Doing it for the Kids, Liverpool Echo, 4 April, 1997
Seeing Stars, Event Magazine, 27 March – 9 April, 1997
Reel Around The Fountain, David Barrett, Frieze, March-April, 1996
Lusher, Time, “P.S.,” The Evening Standard, 22 November, 1996
Wyman, Jessica, “Die Karrieren der Brit-Art-Acts und ihr Medium,” Springer, September (in German), 1996
Burrows, David, “The London Summer Round-Up,” Art Monthly, September, 1996
Reid, Vikki, “Yerself is Steam,” The Evening Standard, 30 July, 1996
Guba. Tanya, “Yerself is Steam,” Time Out, 24-31 July, 1996
Eyers, Luci, “Interview with Iain Forsyth and Jane Pollard,” Everything Magazine, April-June
Kyriacou, Sotiris, “Multiple Choice,” Artists Newsletter, March, 1995
Lederman, Erika, “Multiplication,” Art Monthly, February, 1995
“Artists Books, etc,” Artists Newsletter, February, 1995
Pertusini, Angela, “Box Clever,” The Big Issue, November, 1994


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