PATRICIA TREIB
Selected Works
Press
| Born 1979 in Saginaw, lives and works in New York City | |
| SOLO EXHIBITIONS | |
| 2018 | Grotesquerie, Galerie Nordenhake, Stockholm, Sweden |
| Patricia Treib, Crown Point Press, San Francisco, U.S.A | |
| 2017 | Interstices, Bureau, New York, U.S.A |
| 2016 | At the Same Time, Galeria Marta Cervera, Madrid, Spain |
| 2015 | Mobile Sleeve, Kate MacGarry, London, UK |
| 2014 | Patricia Treib Solo Project, Wallspace, Liste Art Basel, Basel, Switzerland |
| 2013 | Patricia Treib, Wallspace, New York, U.S.A |
| 2012 | Pieces, Tibor de Nagy Gallery, New York, U.S.A |
| 2010 | Patricia Treib, Golden Gallery, Chicago, U.S.A |
| 2008 | Patricia Treib, John Connelly Presents, New York, U.S.A |
| 2007 | New Paintings, Tunnel Room, John Connelly Presents, New York, U.S.A |
| GROUP EXHIBITIONS | |
| 2019 | What Wind, curated by Eric Palgon, Ceysson & Bénétière, New York, U.S.A |
| 2018 | En Plein Air, Studioli, Rome, Italy |
| Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, U.S.A | |
| 2017 | We’ll turn Manhattan into an island of joy, Markus Luettgen, Cologne, Germany |
| 31 Women, Breese Little, London, UK | |
| Quicktime, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, U.S.A | |
| Fifteen, Kate MacGarry, London, UK | |
| Kate MacGarry, Dallas Art Fair, U.S.A | |
| 2016 | The Clear and The Obscure – curated by Chris Sharp, Lulu, Mexico City, Mexico |
| Show Window, Kate MacGarry, London, UK | |
| Nice Weather – curated by David Salle, Skarsted Gallery, New York, U.S.A | |
| 2015 | Becoming Image, Jessica Mein, Joseph Montgomery & Patricia Treib, projects | at fifteen, curated by Fiona Biberstein, Tel Aviv, Israel |
| Suddenly, Last Summer, Longhouse Projects, New York, U.S.A | |
| Fictions, Derek Eller, New York, U.S.A | |
| 2014 | Colony Room, Simon Preston Gallery, New York, U.S.A |
| From Pre-history to Post-everything, Sean Kelly Gallery, New York, U.S.A | |
| Shakti, Brand New Gallery, Milan, Italy | |
| No Ground But Say Ground – curated by Joe Fyfe, Halsey McKay, East Hampton, New York, U.S.A | |
| AIR Biennial, University of Tennessee Ewing Gallery of Art and Architecture, Tennessee, U.S.A | |
| Knoxville, Tennessee, U.S.A | |
| 2013 | Spectrum Suite, Nicelle Beauchene Gallery, New York, U.S.A |
| Ten Years, Wallspace, New York, U.S.A | |
| 2012 | The Mystery Trend, Wallspace, New York, U.S.A |
| Hot White Flesh Ties, Favorite Goods, Los Angeles, U.S.A | |
| Modern Talking, Cluj Museum, Cluj, Romania | |
| 2011 | Four Rooms, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland |
| We Remembered, We Anticipated a Peacock, and We Find a Peony, Aliza, U.S.A | |
| Nisenbaum & Patricia Treib, Golden Gallery, New York, U.S.A | |
| Reverie – curated by Stephen Westfall, Zurcher Studio, New York, U.S.A | |
| Straw—curated by Erik Lindman, Hannah Barry Gallery, London, UK | |
| Expanded Painting, Prague Biennale 5, Prague, Czech Republic | |
| A Painting Show, Harris Lieberman Gallery, New York, U.S.A | |
| 2010 | Gradation—curated by Garth Weiser, PortugalArte10, Lisbon, Portugal |
| 2009 | Besides, With, Against, And Yet: Abstraction and The Ready-Made Gesture—curated by Debra Singer, The Kitchen, New York, U.S.A |
| The Open, Deitch Studios, Long Island City, New York, U.S.A | |
| If the Dogs are Barking, Artists Space, New York, U.S.A | |
| On From Here, Guild & Greyshkul, New York, U.S.A | |
| 2008 | A New High in Getting Low, John Connelly Presents, New York, U.S.A |
| 2007 | A New High in Getting Low, Artnews Projects, Berlin, Germany |
| Fractured in Aspect, Andrew Kreps, New York, U.S.A | |
| Powers of Ten: Successive Orders of Formal and Psychological Magnitude—curated by Nicola Vassell, 96 Greene, New York, U.S.A | |
| For the People of Paris—curated by Scott Lyall, Sean Paul and Blake Rayne, Sutton Lane, Paris, France | |
| 2006 | AIR—curated by Amy Sillman, Monya Rowe Gallery, New York, U.S.A |
| Columbia Visual Arts Division MFA Thesis Exhibition, New York, U.S.A, | |
| The Manhattan Project—curated by Jeffrey Uslip, Fredric Snitzer Gallery, Miami, U.S.A | |
| 2005 | The General’s Jamboree, Guild & Greyshkul, New York, U.S.A |
| First Year Exhibition, Wallach Gallery, Columbia University, New York, U.S.A | |
| Diverse Grounds, Leroy Neiman Gallery, Columbia University, New York, NY | |
| 2004 | Past Perfect, Kantor Gallery, New York, NY |
| SELECTED BIBLIOGRAPHY | |
| 2018 | Powers, Bill, “Patricia Treib.” ArtLover Number 38 December |
| Wade, Valerie, “Overview.” Crown Point Press Newsletter Spring | |
| 2017 | Smith, Roberta. “Patricia Treib.” The New York Times 1 June |
| Heinrich, Will. “Patricia Treib.” The New Yorker 10 June | |
| Hull, Timothy. “Interview – Patricia Treib.” Aujourd’hui 16 June | |
| Coon, Ella. “The Same but Different: Patricia Treib’s Paintings Empower the Spaces in Between.” ARTnews 15 August | |
| 2016 | Fyfe, Joe. “Patricia Treib by Joe Fyfe.” Bomb Summer |
| 2015 | Sam, Sherman. “Reviews: Patricia Treib.” ArtForum September |
| The White Review, No. 13, Green Shape, cover image, April | |
| Hudson, Suzanne. Painting Now. Thames & Hudson, Print | |
| 2014 | Smith, Roberta, “Clash of the Items, at a Gallery Near You,” The New York Times, July 24 |
| Wise, Lloyd, “Patricia Treib: Wallspace,” Artforum, January | |
| “Patricia Treib,” thislongcentury.com, January | |
| 2013 | Salazar, Gabriela, “The Theater of Abstraction: Patricia Treib at Wallspace,” Art Critical, December 12 |
| Stuker, Jeffrey, “Patricia Treib at Wallspace, NY,” Mousse Magazine, November 26 | |
| “Critic’s Pick: Patricia Treib,” Time Out New York, November 11 | |
| “Goings on About Town: Art,” The New Yorker, November | |
| 2012 | Corcoran, Heather, “Patricia Treib,” Flash Art, November-December |
| Barliant, Claire, “Paticia Treib,” The New Yorker, September 24 | |
| Smith, Roberta, “The Mystery Trend,” The New York Times, July 27 | |
| Trezzi, Nicola, “United States of Abstraction,” Art Experience NYC, Vol. | |
| 1, No. 7, Spring | |
| 2011 | Butler, Sharon L., “Abstract Painting: The New Casualists,” The Brooklyn |
| Rail, June | |
| Asfour, Nana, “Review: Reverie,” Time Out New York, June | |
| Lundin, Jenna, “Art: A Painting Show,” Vogue.com, May | |
| 2010 | Ritchie, Abraham, “Paths of Abstraction,” ArtSlant |
| Busta, Caroline, Besides, With, Against and Yet, May Revue. | |
| Hudson, Suzanne, “Besides, With, Against and Yet,” Artforum | |
| Chamberlain, Colby, “Besides, With, Against and Yet: Abstraction and the Ready-Made Gesture,” Artforum.com | |
| 2009 | Smith, Roberta, “A Gallery Goes Out In a Burst of Energy,” The New York Times |
| 2007 | Heller, Maxwell, “A Day with The Marie Walsh Sharpe Foundation Space Program,” The Brooklyn Rail |
| Cotter, Holland, “Art in Review: Fractured in Aspect,” The New York Times | |
| LECTURES & TEACHING | |
| 2014 | Visiting Artist, Columbia University, Summer Painting Intensive, New York, NY |
| 2013 | Visiting Artist, Maryland Institute College of Art, MFA Painting, Baltimore, MD |
| California College of the Arts, MFA Painting, San Francisco, CA | |
| Visiting Artist, Lecture, “Talk By Artist: Patricia Treib,” Smith College, Northampton, MA | |
| 2012 | Artist-in-Residence Lecture, University of Tennessee, Knoxville, TN |
| Visiting Artist, Rhode Island School of Design, Providence, RI | |
| 2011 | Lecture, “Artists Present at Noon,” The Museum of Modern Art, New York, NY |
| 2010 | Lecture, Brooklyn College, MFA Department, Brooklyn, NY |
| EDUCATION | |
| 2006 | MFA, Columbia University, New York, NY |
| 2001 | BFA, The School of the Art Institute of Chicago, IL |
| AWARDS & RESIDENCIES | |
| 2014 | Dora Maar House, Ménerbes, France |
| 2013 | MacDowell Colony Fellowship, Peterborough, UK |
| 2007 | The Marie Walsh Sharpe Foundation, Space Program, Brooklyn, NY, U.S.A |
| 2005 | Agnes Martin Fellowship, Columbia University, NY, U.S.A |
| 2004 | Dong Kingman Fellowship, Columbia University, NY, U.S.A |
| 1996 | The Marie Walsh Sharpe Art Foundation Scholarship, Colorado Springs, CO, U.S.A |
Exhibitions
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