Born 1970 in Staffordshire, lives and works in London. |
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SOLO EXHIBITIONS
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2020 |
I Decided I Want to Walk, Kate MacGarry, London, UK |
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They Call It Idlewild, Wysing Arts Centre, Wysing, UK |
2019 |
Che Si Può Fare (What Can be Done) , Collezione Maramotti, Reggio Emilia, Italy |
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There’s a Hole in The Sky Part II, Stair/Slide/Space: Love Kept Us Warm, John Hansard Gallery, Southhampton, UK |
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Che Si Può Fare (What Can be Done), Whitechapel Gallery, London |
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Radio Ballads, Serpentine Galleries project with curators Amal Khalif and Lizzie Graham |
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Equal Shares, Commission with Film and Video Umbrella, Touchstones, Rochdale and Photographers Gallery, London |
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The Long Note, VOID, Derry, Northern Ireland |
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The Long Note, Irish Museum of Modern Art, Dublin |
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The Sound of Words, Reading International, Reading, UK |
2017 |
Shouting in Whispers, Cubitt , London |
2013 |
Reach out and Touch Me, Hollybush Gardens, London |
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20/12 London Art Now, curated by Armesden, Lodge Park National Trust, UK |
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Che Si Può Fare (What Can be Done) , Collezione Maramotti, Reggio Emilia, Italy |
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SELECTED PERFORMANCES |
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2019 |
Collective Intimacy, The Showroom, London |
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Che Si Può Fare, Whitechapel Gallery, London |
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Queers Read This (3), (Performance: Freedom Song and Shouting in Whispers), ICA, London |
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GROUP EXHIBITIONS |
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2020 |
Unprecedented Times, Kunsthaus Bregenz, Austria |
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Mourning, On Loss and Change, Hamburger Kunsthalle, Germany |
2019 |
Turner Prize 2019 shortlist, Turner Contemporary, Margate, UK |
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Exercises in Style, A Plus A Gallery, Venice, Italy |
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Super Black, FirstSite, Colchester, UK |
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Get Up Stand Up, Somerset House, London |
2018 |
More of an Avalanche, Wysing Arts Centre, Cambridge, UK |
2017 |
Precarious Art: Artificial Boundaries I, 198 Gallery, London & Alfra Nova Galerie Futura, Berlin, Germany |
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Precarious Art: Artificial Boundaries II, 198 Gallery, London & Alfra Nova Galerie Futura, Berlin, Germany |
2016 |
Carte De Visite, Hollybush Gardens , London |
2014 |
Scene, Pitzhanger Manor Gallery, London |
2013 |
You don’t need a weather man to know which way the wind blows, Hollybush Gardens, London |
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Reach out and Touch Me, Hollybush Gardens, London |
2012 |
20/12 London Art Now, Lodge Park National Trust, Gloucestershire, UK |
2010 |
Unitary Structures, STEW gallery and studio, Norwich, UK |
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Undercurrents, Brighton Photo Fringe Festival, UK |
2009 |
Itchy Scratchy, Permanent gallery, Brighton, UK |
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EDUCATION |
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2009-11 |
MA Photography, Royal College of Art |
2005-08 |
BA Photography, University of Brighton |
1989-92 |
BA Sociology, University of Sussex |
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AWARDS, COMMISSIONS & RESIDENCIES |
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2019 |
Turner Prize 2019 |
2018 |
Max Mara Art Prize for Women (Whitechapel Gallery) |
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Beyond Words – Commission and Residency – Book Works, London and Freedom Festival, Hull City of Culture |
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Tetley Art Intensive Performance residency with Nikhil Chopra, Leeds |
2017 |
Photoworks artist led project (commission) Into The Outside |
2016 |
Fresh Milk International Residency, Barbados |
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SELECTED PUBLICATIONS |
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2019 |
Che Si Può Fare (What Can be done), exhibition catalogue and vinyl, published by Whitechapel Gallery, London |
2017 |
Moveable Bridge, Commissioned as part of Beyond Words by the Freedom Festival Arts Trust, Hull Culture and Leisure Library ,Published by Book Works, London |
2013 |
Power, Mark, ’21- Brighton University 21st photography celebration book- selected book of most interesting alumni |
2011 |
Image Perspectives, RCA Photography catalogue, Published by Black Dog, London |
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SELECTED PRESS |
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2019 |
Che Si Può Fare, Arts Newspaper, Ben Luke |
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The Long Note, Exhibition review, Frieze Magazine |
2017/18 |
Essay in Photoworks Annual |
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Fite-Wassilak, Chris, Book Review, Art Monthly |
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Fite-Wassilak, Chris, Artist profile, Art Monthly |
2016 |
Issue IV, The Photographers Gallery |
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Commissioned article for Photoworks, Sept 2015 |
2013 |
21 – Brighton University 21st photography celebration book – selected book of most interesting alumni, ed. Mark Power, June 2013. |
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