HELEN CAMMOCK
Selected Works
Video
Press
- Tones and Shades, 2020(pdf)
- Frieze, Review by Philomena Epps, 2020(pdf)
- Contemporary Art Society, Review by Caroline Douglas, 2020(pdf)
- Art Agenda, Chloe Carroll, 2020(pdf)
- Frieze, Review by Rianna Jade Parker, 2020(pdf)
- The New York Times, Review by Kimberly Bradley, 2020(pdf)
- Art Monthly, Interview with Chris McCormack, 2020(pdf)
- Studio International, David Trigg, 2020(pdf)
- Art Monthly, Maria Walsh, 2020(pdf)
- Frieze Magazine, 2019(pdf)
- The Art Newspaper, 2019(pdf)
- Art Monthly No. 408, July – August 2017(pdf)
| Born 1970 in Staffordshire, lives and works in London. | |
| SOLO EXHIBITIONS |
|
| 2020 | I Decided I Want to Walk, Kate MacGarry, London, UK |
| They Call It Idlewild, Wysing Arts Centre, Wysing, UK | |
| 2019 | Che Si Può Fare (What Can be Done) , Collezione Maramotti, Reggio Emilia, Italy |
| There’s a Hole in The Sky Part II, Stair/Slide/Space: Love Kept Us Warm, John Hansard Gallery, Southhampton, UK | |
| Che Si Può Fare (What Can be Done), Whitechapel Gallery, London | |
| Radio Ballads, Serpentine Galleries project with curators Amal Khalif and Lizzie Graham | |
| Equal Shares, Commission with Film and Video Umbrella, Touchstones, Rochdale and Photographers Gallery, London | |
| The Long Note, VOID, Derry, Northern Ireland | |
| The Long Note, Irish Museum of Modern Art, Dublin | |
| The Sound of Words, Reading International, Reading, UK | |
| 2017 | Shouting in Whispers, Cubitt , London |
| 2013 | Reach out and Touch Me, Hollybush Gardens, London |
| 20/12 London Art Now, curated by Armesden, Lodge Park National Trust, UK | |
| Che Si Può Fare (What Can be Done) , Collezione Maramotti, Reggio Emilia, Italy | |
| SELECTED PERFORMANCES | |
| 2019 | Collective Intimacy, The Showroom, London |
| Che Si Può Fare, Whitechapel Gallery, London | |
| Queers Read This (3), (Performance: Freedom Song and Shouting in Whispers), ICA, London | |
| GROUP EXHIBITIONS | |
| 2020 | Unprecedented Times, Kunsthaus Bregenz, Austria |
| Mourning, On Loss and Change, Hamburger Kunsthalle, Germany | |
| 2019 | Turner Prize 2019 shortlist, Turner Contemporary, Margate, UK |
| Exercises in Style, A Plus A Gallery, Venice, Italy | |
| Super Black, FirstSite, Colchester, UK | |
| Get Up Stand Up, Somerset House, London | |
| 2018 | More of an Avalanche, Wysing Arts Centre, Cambridge, UK |
| 2017 | Precarious Art: Artificial Boundaries I, 198 Gallery, London & Alfra Nova Galerie Futura, Berlin, Germany |
| Precarious Art: Artificial Boundaries II, 198 Gallery, London & Alfra Nova Galerie Futura, Berlin, Germany | |
| 2016 | Carte De Visite, Hollybush Gardens , London |
| 2014 | Scene, Pitzhanger Manor Gallery, London |
| 2013 | You don’t need a weather man to know which way the wind blows, Hollybush Gardens, London |
| Reach out and Touch Me, Hollybush Gardens, London | |
| 2012 | 20/12 London Art Now, Lodge Park National Trust, Gloucestershire, UK |
| 2010 | Unitary Structures, STEW gallery and studio, Norwich, UK |
| Undercurrents, Brighton Photo Fringe Festival, UK | |
| 2009 | Itchy Scratchy, Permanent gallery, Brighton, UK |
| EDUCATION | |
| 2009-11 | MA Photography, Royal College of Art |
| 2005-08 | BA Photography, University of Brighton |
| 1989-92 | BA Sociology, University of Sussex |
| AWARDS, COMMISSIONS & RESIDENCIES | |
| 2019 | Turner Prize 2019 |
| 2018 | Max Mara Art Prize for Women (Whitechapel Gallery) |
| Beyond Words – Commission and Residency – Book Works, London and Freedom Festival, Hull City of Culture | |
| Tetley Art Intensive Performance residency with Nikhil Chopra, Leeds | |
| 2017 | Photoworks artist led project (commission) Into The Outside |
| 2016 | Fresh Milk International Residency, Barbados |
| SELECTED PUBLICATIONS | |
| 2019 | Che Si Può Fare (What Can be done), exhibition catalogue and vinyl, published by Whitechapel Gallery, London |
| 2017 | Moveable Bridge, Commissioned as part of Beyond Words by the Freedom Festival Arts Trust, Hull Culture and Leisure Library ,Published by Book Works, London |
| 2013 | Power, Mark, ’21- Brighton University 21st photography celebration book- selected book of most interesting alumni |
| 2011 | Image Perspectives, RCA Photography catalogue, Published by Black Dog, London |
| SELECTED PRESS | |
| 2019 | Che Si Può Fare, Arts Newspaper, Ben Luke |
| The Long Note, Exhibition review, Frieze Magazine | |
| 2017/18 | Essay in Photoworks Annual |
| Fite-Wassilak, Chris, Book Review, Art Monthly | |
| Fite-Wassilak, Chris, Artist profile, Art Monthly | |
| 2016 | Issue IV, The Photographers Gallery |
| Commissioned article for Photoworks, Sept 2015 | |
| 2013 | 21 – Brighton University 21st photography celebration book – selected book of most interesting alumni, ed. Mark Power, June 2013. |
Exhibitions
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