Born 1977 in Bangladesh, lives and works in London. |
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SOLO EXHIBITIONS |
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2019 |
Solo show, Jhaveri Contemporary, Mumbai |
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Perception and Reflection, Third Line Gallery, Dubai, UAE |
2018 |
Space, Light, Colour, Djanogly Gallery, Nottingham, UK |
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A Conversation with Light and Form, Tate St Ives, Cornwall, UK |
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Rana Begum, Galerie Christian Lethert, Cologne, Germany |
2017 |
Solo Project, Art Basel Hong Kong, Jhaveri Contemporary, Hong Kong, China |
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Solo Project, Art Dubai, The Third Line, Dubai, UAE |
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The Abraaj Group Art Prize, Dubai, UAE |
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Light Space Colour, Sainsbury Centre for Visual Arts, Norwich, UK |
2016 |
The Space Between, Parasol Unit, London, UK |
2015 |
Towards the Infinite Geometry, Jhaveri Contemporary, Mumbai, India |
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Solo Show, Touchstone, Rochdale, UK |
2014 |
Solo Show, Galeri Mana, Istanbul, Turkey |
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Solo Project, Dhaka Art Summit, Jhaveri Contemporary, Bangladesh |
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Solo Project, Art Brussels, Christian Lethert, Belgium |
2013 |
No.10, The Third Line, Dubai, UAE |
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Manifold, Galerie Christian Lethert, Cologne, Germany |
2012 |
Solo show, Bischoff/Weiss, London, UK |
2011 |
The Folded Page, Jhaveri Contemporary, Mumbai, India |
2010 |
Fractured Symmetry, Bischoff/Weiss, London, UK |
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Solo show, Delfina Foundation, London, UK |
2009 |
Solo show, Barts Hospital, VitalArts, London, UK |
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The Moment of Alignment, The Third Line, Dubai, UAE |
2008 |
Transient Symmetry, VineSpace, London, UK |
2007 |
Colour Codes, The Third Line, Dubai, UAE |
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GROUP EXHIBITIONS |
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2019 |
From Narrow Provinces, Cample Line, Scotland, UK |
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The Intersection of Colour, Cristea Roberts Gallery, London, Uk |
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Is This Tomorrow?, Whitechapel Art Gallery, London |
2018 |
Frieze Sculpture Park, London, UK |
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Heavy Metal – Women to Watch 2018, The National Museum of Women in the Arts, Washington, U.S.A |
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RA Summer Show, London, UK |
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Actions, The image of the world can be different, Kettle’s Yard, University of Cambridge, UK |
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Ausbruch aus der Fläche – Das Origami-Prinzip in der Kunst, MARTA Herford, Herford |
2017 |
FIFTEEN, Kate MacGarry, London, UK |
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Metal: Women to Watch, curated Caroline Douglas, Philips, London, UK |
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Occasional Geometries, Yorkshire Sculpture Park, UK |
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Things that Soak You, Kate MacGarry, London, UK |
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31 Women, Bresslittle, London, UK |
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The Order of Things, The Wilson, Cheltenham Art Gallery & Museum, Cheltenham, UK |
2016 |
Tribute to Sol LeWitt, Gemeente Museum, Den Haag, The Netherlands |
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11th Gwangju Biennale, Curated by Maria Lind, Korea |
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Cause the Grass Don’t Grow and the Sky Ain’t Blue, Praz Delavallade, Paris, France |
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Flatland/Narrative Abstractions, MRAC, Sérignan, France |
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New Visions, Curated by Maria Lind, Tensta Konsthall, Stockholm, Sweden |
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Into Boundless Space I Leap, Kettle’s Yard / Maxwell Centre, Cambridge, UK |
2015 |
The Shapes We’re In, London, UK |
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Triplicity, Athr, Jeddah, Saudi Arabia |
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Future Light, Museum Angewandte Kunst, Vienna, Austria |
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Geometries of Difference, Dorsky Museum, New York, U.S.A |
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Linear Abstraction, Gutstein Gallery, SCAD, Savannah, Georgia |
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The Great Festival of Creativity, Long Museum, Shanghai, China |
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Working Space, KNMA, Delhi, India |
2014 |
Ethereal, curated by Amin Jaffer, Leila Heller Gallery, New York, U.S.A |
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The Language of Human Consciousness, Athr Gallery, Jeddah, Saudi Arabia |
2013 |
The Edge of Painting, The Piper Gallery, London, UK |
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Empty Line, curated by Nabila Mokrani, Galerie Bertrand Grimont, Paris, France |
2012 |
RA Summer show, London, UK |
2011 |
The Art and Math of the Fold, Ft-Contemporary, Berlin, Germany |
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The New Middle East, Willem Baars, Amsterdam, The Netherlands |
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Common Logic, group show at IMT, London, UK |
2010 |
Form & Phenomenon, group show, Project88, Mumbai, India |
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Serendipity City, Future Everything, Manchester, UK |
2009 |
How Nations are Made, Cartwright Hall and Manor House, Bradford, UK |
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Pattern Recognition, The City Gallery, Leicester, UK |
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Lines of Control, Group Show, Green Cardamom, (catalogue), London, UK |
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Identity, Aisho Miura Arts, (catalogue), Tokyo, Japan |
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Neither Here, Nor There, Various City Locations- Billboards |
2008 |
Contact, Bricklane, Work No. 951, (catalogue), London, UK |
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Monologue/Dialogue Part II, Bischoff/Weiss, London, UK |
2007 |
Repetition and Sequence, Jerwood Space, (catalogue), London, UK |
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Sequence and Repetition, Beldam Gallery, (catalogue), Uxbridge, UK |
2006 |
Monologue/Dialogue, BU Gallery, (catalogue), Bangkok, Thailand |
2005 |
Art:21 Power /Memory/Structures/Play, Art Museum of Western Virginia, U.S.A |
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Ad Infinitum: The Aesthetics of Repetition II, Haines Gallery, San Francisco, U.S.A |
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Colour My World, Riflemaker, London, UK |
2004 |
Upstarts, Haines Gallery, San Francisco, U.S.A |
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2×2, Dahl Gallery, Luzern, Switzerland |
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SELECTED PRESS |
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2017 |
The New York Times, March 22nd |
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Financial Times, March 17th |
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Ocula, March |
2016 |
Wallpaper* Magazine, July |
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This is tomorrow, August |
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ArtAsiaPacific, Review by Cleo Roberts, July |
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Harpers Bazaar, July |
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AD Magazine, November-December |
2015 |
Artsy Editorial Oct 27th, 25 Must-See Shows This November |
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The Metropolist, Artist’s Portrait, by Rachel Holmes |
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Bazaar, Issue #200, Interview by Deepa Pant |
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Saturation Point, Interview by Patrick Morrisey |
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Verve Magazine, India, Framed, Text by Huzan Tata |
2014 |
Art Form, Issue 1 |
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Financial Times, The Dhaka Art Summit Rachel Spence |
2013 |
Surface Magazine, Marina Cashdan, Issue 101 |
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Time Out, Dubai |
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ArtAsiaPacific, Kevin Jones Issue 85 |
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Ala Chamfest, Magazine No.6 |
2012 |
Platform- creative lifestyle Jan/Feb |
2011 |
Mid-Day, Shape shifters invade city by Soma Das, Mumbai |
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Wallpaper, Colour Scheme by Deepanjana Pal |
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Vogue India, Shape Shifter by Deepanjana Pal |
2010 |
Time Out, India. Block Game by Zeenat Nagree |
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Art Asia Pacific by Hanea Ko |
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Time Out, London. In the studio by Helen Sumpter |
2009 |
Modern Painters, Back to Black by Jyoti Dhar |
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What’s On, Dubai, The line of beauty by Catherine Jarvie |
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Gulf News, Dubai newspaper, Lines of enchantment, Jyoti Kalsi |
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Time Out, Dubai, Solid Geometry by Chris Lord |
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The National, Dubai newspaper, Patterns of work by Ed Lake |
2008 |
Financial Times, Abstraction Rules OK by Jan Dalley |
2007 |
Vogue UK, October issue, The alchemists by Louisa Buck |
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LÓfficial Middle East, Colour Codes |
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OK, Dubai, Colour Codes |
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City Times, Dubai, Colour Codes |
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Gulf News, Dubai. Colour Codes |
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Time Out, Dubai, Issue 36, Colour Codes |
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Harper’s Bazaar, Dubai, Sep. 2007, Colour Codes |
2006 |
The Nation Newspaper, Bangkok, Monologue/Dialogue |
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AWARDS, COMMISSIONS & RESIDENCIES |
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2018 |
Bella Artes Project, Manila, Philippines |
2017 |
No.724 Reflectors, Westgate, Oxford, UK |
2016 |
No.688, Cleveland Clinic, Ohio, USA |
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No.700 Refelctors, Kings Cross, London, UK |
2015 |
No.510, HLC, Kiran Nadar, Delhi, India |
2014 |
LSM, Washington DC, USA |
2013 |
Surbiton Health Centre Public Art Commission, London, UK |
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Hualien Cinema, public art commission, Taiwan |
2012 |
Jack Goldhill Award for Sculpture, Royal Academy of Arts, London |
2011 |
Marcol House public art commission, London, UK |
2009 |
Two months residency in Beirut through Delfina Foundation |
2007 |
Nominated for the Paul Hamlyn Foundation Award |
2006 |
British Council Residency in Bangkok |
2005 |
Lewisham Hospital Commission |
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Coventry Hospital Commission in collaboration with Tess Jaray |
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Artist in Residence at West Dean College, West Sussex |
2000 |
Arts and Humanities Research Board award for postgraduate study |
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COLLECTIONS |
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Samdani Collection |
Simons Foundation |
Farjam Collection, Dubai |
Kiran Nadar Museum of Art, India |
British Telecom Headquarters, London |
Coimbatore Centre for Contemporary Arts |
Rajshree Pathy Collection, India |
MONA (Museum of Old and New Art), Tasmania |
Ernst & Young Collection, London |
Art Museum of Western Virginia |
The London Institute |
Goverment Art Collection |
Arts Council Collection |
Abraaj |
Art Museum of Western Virginia |
Ernst and Young, London |
Pictet |
Cleveland Clinic, Ohio |
Surbiton Health Centre, NHS |
HCL Technologies |
Great Portland Estate |
Westgate Oxford Alliance |
Argent (Kings Cross) |
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EDUCATION |
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2002 |
Slade School of Fine Art, London, MFA in Painting |
1999 |
Chelsea College of Art and Design, London, BA (Hons) Fine Art Degree in Painting |
1996 |
University of Hertfordshire, Hatfield, Hertfordshire, UK, BTEC Diploma in Foundation Studies in Art and Design |