Selected Works

Goshka Macuga, Time As Fabric, New Museum, New York, 2016
Goshka Macuga, Time As Fabric, New Museum, New York, 2016
Goshka Macuga, Time As Fabric, New Museum, New York, 2016
Goshka Macuga, Time As Fabric, New Museum, New York, 2016
Goshka Macuga, To the Son of Man Who Ate the Scroll, 2016, android, plastic coat, handmade shoes (shoe 1: expandable foam; shoe 2: cardboard, linen), Photo Delfino Sisto Legnani Studio, Courtesy Fondazione Prada
GOSHKA MACUGA TO THE SON OF MAN WHO ATE THE SCROLL, installation view, Fondazione Prada, Milano
GOSHKA MACUGA TO THE SON OF MAN WHO ATE THE SCROLL, installation view, Fondazione Prada, Milano
GOSHKA MACUGA TO THE SON OF MAN WHO ATE THE SCROLL, installation view, Fondazione Prada, Milano
GOSHKA MACUGA TO THE SON OF MAN WHO ATE THE SCROLL, installation view, Fondazione Prada, Milano
Goshka Macuga, installation view, Frieze Art Fair, 2014
Goshka Macuga, installation view, performance at the Berlin Biennale, 2014
Goshka Macuga, installation view, performance at the Berlin Biennale, 2014
Goshka Macuga, Death of Marxism, Women of All Lands Unite, 2013, wool tapestry, 560 x 290 cm
Goshka Macuga, Of what is, that it is, of what is not, that is not I, 2012, wool tapestry, 520 x 1740 cm
Goshka Macuga, Of What Is, That It Is, Of What Is Not, That Is Not II, 2012, wool tapestry, 320 x 1160 cm, installation view, dOCUMENTA (13), Queen's Palace, Kabul, Afghanistan
Goshka Macuga, installation view at Documenta, Kassel, 2012
Goshka Macuga, installation view of It Broke from Within, Walker Art Center, Minneapolis, 2011
Goshka Macuga, installation view of It Broke from Within, Walker Art Center, Minneapolis, 2011
Goshka Macuga, installation view, Venice Biennale, 2009
Goshka Macuga, installation view, 2009 Textile Art & The Social Fabric MuHKA, Antwerp, 2009
Goshka Macuga, The Nature of the Beast, installation view at Catello di Rivoli, 2010
Goshka Macuga, On the Nature of the Beast, 2009, wool tapestry, 290 x 560 cm
Goshka Macuga, The Nature of the Beast, installation view at Catello di Rivoli, 2010
Goshka Macuga, installation view, Kunsthalle Basel, 2009
Goshka Macuga, installation view, Kunsthalle Basel, 2009
Goshka Macuga, installation view, Kunsthalle Basel, 2009
Goshka Macuga, installation view, Santhal Family, MuHKA, Antwerp, 2008
Goshka Macuga, installation view, Sao Paulo Biennale, 2006
Goshka Macuga, installation view, Sao Paulo Biennale, 2006
Goshka Macuga, installation view, Turner Prize, 2008, Tate Britain
Goshka Macuga, installation view, Turner Prize, 2008
Goshka Macuga, installation view, Turner Prize, 2008
Goshka Macuga, Boy & Girl, installation view, Objects in Relation, Art Now, Tate Britain, 2007
Goshka Macuga, Sleep of Ulro, The Furnace Commission, A Foundation, Liverpool, 2006
Goshka Macuga, Sleep of Ulro, The Furnace Commission, A Foundation, Liverpool, 2006
Goshka Macuga, Sleep of Ulro, The Furnace Commission, A Foundation, Liverpool, 2006
Goshka Macuga, Sleep of Ulro, The Furnace Commission, A Foundation, Liverpool, 2006
Goshka Macuga, British Art Show, 2005-6, Baltic Gateshead
Goshka Macuga, British Art Show, 2005-6, Baltic Gateshead
Goshka Macuga, installation view, The Straight or Crooked Way, RCA, London, 2003
Goshka Macuga, Picture Room, Gasworks, London, 2003
Goshka Macuga, Somnambulist, 2006, carved wood, fibreglass, real hair, fabric clothes, 33 x 200 x 53 cm
Goshka Macuga, The Obedient, 2010, collage on hand printed silver gelatine print, 33 x 52 cm (unframed)
Goshka Macuga, Stalking Horses, 2007, hand printed silver gelatine print, 40.5 x 30.5 cm
Goshka Macuga, Rock Formation, 2007, hand printed silver gelatine print, 30.5 x 40.5 cm
Goshka Macuga, Madame Blavatsky, 2007, carved wood, fibreglass, fabric clothes, chairs, 114 x 190 x 74 cm
Goshka Macuga, The Past is a Foreign Country: They do Things Differently There (detail), 2006, site-specific installation, Institut Mathildenhöhe, Darmstadt, Germany

Press

SOLO EXHIBITIONS

2016
Now this, is this the end… the end of the beginning or the beginning of the end? (part 1), Schinkel Pavilion, INDEX Berlin, Berlin, Germany
Time as Fabric, New Museum, NY
To the Son of Man Who Ate the Scroll, Fondazione Prada, Milan

2014
Preparatory Notes for a Chicago Comedy, 8th Berlin Biennale, Museen Dahlem, Berlin
Public Address: Goshka Macuga Tapestries, Lunds Konsthall, Sweden
Madness and Ritual, Galerie Rüdiger Schöttle, Munich

2013
Goshka Macuga: Non-consensual act (in progress), Index, The Swedish Contemporary Art Foundation, Stockholm
Sxuality of Atoms, Andrew Kreps Gallery, NY

2012
Goshka Macuga, Andrew Kreps, NY
Exhibit A, Museum of Contemporary Art, Chicago
Goshka Macuga, Kate MacGarry, London
Untitled, Galerie Rüdiger Schöttle, Munich

2011
Goshka Macuga. Untitled, Zachęta National Gallery of Art, Warsaw
It Broke from Within, Walker Art Center, Minneapolis

2010
Goshka Macuga, Galerie Rüdiger Schöttle, Munich

2009
The Bloomberg Commission – Goshka Macuga, Whitechapel Gallery, London
Goshka Macuga – I Am Become Death, Kunsthalle Basel
All That is Solid Melts into Air, Mechelen, Belgium

2008
Goshka Macuga: Gottessegen, Galerie Rüdiger Schöttle, Munich

2007
Objects in Relation, Art Now, Tate Britain
What’s In a Name, Andrew Kreps Gallery, New York

2006
Sleep of Ulro, The Furnace Commission, A Foundation, Liverpool

2005
Goshka Macuga, Kate MacGarry, London

2003
Kabinett der Abstrakten, Bloomberg Space, London
Picture Room, Gasworks Gallery, London

2002
Friendship of the Peoples (with Declan Clarke), The Project, Dublin
Untitled, Fundacja Galerii Foksal, Warsaw
Homeless Furniture, Transmission Gallery, Glasgow

2000
Cave, Kunstakuten, Stockholm

1999
Cave, Sali Gia, London, 1999

GROUP EXHIBITIONS

Report from the Exhibition Goshka Macuga & Eustachy Kossakowski, Kate MacGarry, London, 2014
Tagore’s Universal Allegories (with Anna Boghiguian), Iniva, London, 2013
Busted, The High Line, New York, NY, 2013
Revolution from Within, Kaufmann Repetto, Milan, Italy, 2013
dOCUMENTA (13), Kunsthalle Fridericianum, Kassel, Germany and Queen’s Palace, Kabul, Afghanistan, 2012
Secret Societies: To Know, To Dare, To Will, To Keep Silence, CACP, musee d’art contemporain de Bordeaux, 2011
Traccia 02 (with Pinot Gallizio), curated by Francesca Comisso, Galleria Martano, Turin, 2010
Newspeak: British Art Now pt.1, Saatchi Gallery, London, 2010
The Curse of Imagination, The Bunkier Sztuki Contemporary Art Gallery, Krakow, Poland, 2010
Tutto e’ connesso: ricerche e approfondimenti nell’arte dell’ultimo decennio attraverso la collezione, Castello di Rivoli, Turin, Italy, 2010
Strange Comfort (Afforded by the Profession), curated by Adam Szymczyk, Istituto Svizzero, Rome; travelling to Kunsthalle Basel in 2011, 2010
Star City, The Future Under Communism, Nottingham Contemporary, 2010
Use & Mention, Stephen Lawrence Gallery, University of Greenwich, London, 2010
Eastbound, KAI 10, Raum für Kunst, Düsseldorf, 2010
We’re Moving, Royal College of Art, 2009
The Dark Monarch: Magic and Modernity in British Art, Tate St.Ives, 2009
Textile Art and the Social Fabric, MuHKA Museum of Contemporary Art Antwerp, 2009
53rd Venice Biennale: Fare Mondi/Making Worlds, Corderie dell’Arsenale, Venice, 2009
Modern Ruins, Kate MacGarry, 2009
Turner Prize 2008, Tate Britain, September 2008 – January 2009, 2008
That beautiful pale face is my fate (For Lord Byron), Newstead Abbey, Nottinghamshire, 2008
The Great Transformation: Art and Tactical Magic, Frankfurter Kunstverein; travelling to MARCO, Museo de Arte Contemporanea de Vigo, Spain, 2008
Tales of Disbelief, La Galerie, Noisy-le-Sec, France, 2008
5th Berlin Biennial for Contemporary Art, Neue Nationalgalerie, 2008
Cohabitation: 13 Artists and Collage, Francesca Kaufmann, Milan, 2008
Martian Museum of Terrestrial Art, Barbican Art Gallery, 2008
Santhal Family: Positions Around an Indian Sculpture, MuHKA Museum of Contemporary Art, Antwerp, 2008
We’ve Lost Our Heart and Mind, Event Gallery, London, December 2006 – January 2007, 2006
Mula sem Cabeça (Headless Mule), How to Live Together, 27th São Paulo Biennial, October – December, 2006
Moving in Architecture, (selected by Cyril Lepetit), Camden Arts Centre and Curzon Cinema Soho, London, 2006
Mathilda is Calling, Institut Mathildenhöhe, Darmstadt, Germany, 2006
3rd Attese Biennale di Ceramica nell’ Arte Contemporanea, Museo della Ceramica Manlio Trucco, Albissola Superiore, Italy, 2006
16th Biella Prize for Engraving (curated by Jeremy Lewison), Museo del Territorio Biellese, Biella, Italy, 2006
Communism, Project Arts Centre, Dublin, 2005
The British Art Show, Baltic & touring the UK, 2005
Go Between, Amt der Landeshauptstadt Kultur, Bregenz, Austria, 2005
Can Buildings Curate? Architectural Association, London, 2005
Spring/Summer, curated by Simon Moretti, Program, London, 2005
Automn Catalog Leather Fringes, Kunsthalle Basel, Switzerland, 2004
Perfectly Placed, South London Gallery, London, 2004
Expo 21: Strategies of Display, Angel Row Gallery, Nottingham, 2004
Expo 21: Strategies of Display, Mead Gallery, Coventry, 2004
Relay, PR04, Puerto Rico, 2004
Trackers, PM Gallery, London, 2004
Tonight, Studio Voltaire, London, 2004
Vis á Vis, Platform, London, 2003
Ponce, The Ship, London, 2003
Creek, Cell Project, London, 2003
The Straight or Crooked Way, Royal College of Art, London, 2003
Chockerfuckingblocked, Jeffrey Charles Gallery, London, 2003
T.O.F.U, Barts Wells Institute, London, 2002
The New Religious Art, Liverpool Biennale, 2002
London Underground, Taipei Fine Art Museum, Taipei, Taiwan, 2002
Pause, Conception, Gwangju Biennale 2002, Project 1, 2002
The House of Horror, Outline Gallery, Amsterdam, Holland, 2002
The New Religious Art, Henry Peacock Gallery, London, 2002
Woof Woof, Becoming Animal, Project, Dublin, Ireland, 2002
Zawody Malarskie, Galeria BWA Bielsko-Biala, Poland, 2001
Open Plan P 3 The Marathon, Alphadelta Gallery and Artio Gallery, Athens, Greece, 2001
Woof Woof, Becoming Animal, Austrian Cultural Forum, London, 2001
Skuggspel, Tullkammaren, Umea, Sweden, 2001
Teeth & Trousers, Cell Project Space, London, 2001
Forever Yours, Wooden Heart, London, 2001
Free Wahlen/Uptight out of control 3, Staatliche Kunsthalle, Baden Baden,2001
Avalanche, Hales Gallery, London, 2001
Curatorial Mutiny Part 4, Nylon, London, 2001
A very nice film club, Vilma Gold, London, 2001
The Mountain and the Valley, Cubitt Gallery, London (curated with Dexter Dalwood and Matthew Leahy), 1999

EDUCATION
1995-6 Goldsmiths College, MA Fine Art
1991-5 Central St. Martins, BA Hons Fine Art

ARTIST PUBLICATIONS

Roelstraete, Dieter, Szymczyk, Adam; Macuga, Goshka; Grynsztejn, Madeleine, Goshka Macuga: Exhibit, A, Chicago: Museum of Contemporary Art Chicago, MCA Monographs, 2013
Eleey, Peter, and Bartholomew Ryan, Goshka Macuga: It Broke From Within, Minneapolis: Walker Art Center, 2011
Brewinska, Maria (ed.), Goshka Macuga: Untitled, Warsaw: Zacheta Narodowa Galeria Sztuki, 2011
Macuga, Goshka; Roelstraete, Dieter, The Nature of the Beast, London: Whitechapel Gallery, 2010
Bond, Bryony; Boundy, Fiona; Macuga, Goshka, Sleep of Ulro, Liverpool: A Foundation, Liverpool, London: Kate MacGarry & Rotterdam: Veenman Publishers, 2007
 

SELECTED PUBLICATIONS & EXHIBITION CATALOGUES

dOCUMENTA (13), Ostfildern: Hatje Cantz, 2012
Pirovano, Stefano, Forma e informazione – nuove vie per l’astratto nell’arte del terzo millennio, Monza: Johan & Levi Editore, 2010
Farquharson, Alex, and Lukasz Ronduda (ed.), Star City: The Future Under Communism, Nottingham: Nottingham Contemporary, 2010 
Contemporary Eastern European Art, London: Black Dog Publishing, 2010
Creamier – Contemporary Art in Culture, London: Phaidon, 2010
The Dark Monarch: Magic and Modernity in British Art, London: Tate, 2009
Herbert, Martin, Frieze Art Fair Yearbook 2009- 2010, London: Frieze, 2009
Roelstraete, Dieter, All That Is Solid Melts Into Air, Antwerp: MuHKA & Tielt: Lannoo Publishers, 2009
Birnbaum, Daniel, Fare Mondi/Making Worlds: 53rd Venice Biennale, Venice: Marsilio Editori, 2009
Ellegood, Anne (intro.), Vitamin 3D: New Perspectives in Sculpture and Installation, London: Phaidon, 2009
Turner Prize, London: Tate Britain, 2008
Morton, Tom, Frieze Art Fair Yearbook 2008-9, London: Frieze, 2008
Fables du Doute/Tales of Disbelief, La Galerie centre d’art contemporain, Noisy-le-Sec, 2008
Filipovic, Elena & Adam Szymczyk (ed.), 5th Berlin Biennial for Contemporary Art: When Things Cast No Shadow, Zürich: JRP/Ringier & Berlin: KW Institute for Contemporary Art, 2008
Manacorda, Francesco, Martian Museum of Terrestrial Art, London: Merrell Publishers, 2008
Watson, Grant & Will Bradley, Anshuman Dasgupta, Monika Szewczyk (ed.), Santhal Family: Positions Around an Indian Sculpture, Antwerp: MuHKA, 2008
Beil, Ralf, Mathilda is Calling, Ostfildern: Hatje Cantz, 2006
Lewinson, Jeremy, 16th Biella Prize for Engraving: Art in the Age of Anxiety, Milan: Skira, 2006
Morton, Tom, Frieze Art Fair Yearbook 2005-6, London: Frieze, 2005
Fetz, Wolfgang & Peter Lewis, Go Between, 2005, Frankfurt am Main: Revolver, 2005
Patten, Eliza, The Straight or Crooked Way, London: Royal College of Art, 2003

SELECTED PRESS

2013

Janeczko, Janice. “Goshka Macuga’s “Exhibit A”, The Northwestern Chronicle, 2 April 2013
Diaz, Eva. “Goshka Macuga”, Artforum, January 2013, p. 208
Gronvall, Andrea, “Collage Therapy”, Chicago Reader, 4 February 2013
Waxman, Lori. “Artist as prosecuter”, Chicago Tribune, January 30 2013
Weinberg, Lauren, “Goshka Macuga at the Museum of Contemporary Art,” Time Out Chicago, 14 February 2013

2012 

“Goshka Macuga,” Frieze, November/December 2012, 176
“Goshka Macuga,” Art in America, December 2012, 148-155
Lequeux, Emmanuelle, Une Documenta historique”, Beaux Arts, August 2012, 26-29
Arend, Indo, “Rosen fur Kabul”, Das Kunstmagazin, August 2012, 40-44
“Goshka Macuga: of what is, that is; of what is not, that is not,” Numero Tokyo, September 2012, 144
Harms, Ingeborg, “Weiter Blick,” Vogue Deutsch, August 2012, 200-201
Fritsch, Werner, ” Was Kassel mit Kabul verbindet”, HNA, 12 June 2012, KU1
Rosenau, Mirja, “Goshka Macuga”, Das Kunst Magazine, June 2012, 84
Viliana, Andrea, “Momentary Monuments and Half-Truths,” Mousse Magazine, Issue 34, Summer 2012, 186-195
Ankerman, Door Karel; Bouma, Hilda, Aha!”, Persoonlijk, 16 June 2012, 26-30
Arend, Ingo, “City with K:Documenta in Afgan”,  Goethe Institute, online only
Phongsathorn, Thomas, “My V&A Goshka Mazuga,” V&A Magazine, Summer 2012, 66-69
Luke, Ben, “Documenta Opens to Critical Acclaim”, The Art Newspaper, 12 June 2012,
Redzisz, Kasia, “Goshka Macuga,” Frieze, March 2012, 148
Volk, Gregory, “documenta 13: Books, Afghanistan, and Both,”  Art in America, June 2012, online only
Volk, Gregory, “Goshka Macuga,” Art in America, January 2012, online only

2011

“Goshka Macuga: It Broke from Within”, Walker Magazine, March/April 2011, 33
Macuga, Goshka & Julian Gastelo Gastelo, “Snake Society,” Konteksty, Warsaw: Polska Sztuka Ludowa, 2011
Roelstraete, Dieter, “Forest for the Trees,” Artforum, September 2011, 322-327
Burley, Isabella, “The Nature of The Beast”, Tiger Magazine, September 2011, 48-53
Sutton, Kate, “Critics’ Picks: Goshka Macuga at Walker Art Center,” Artforum, online only
Watson, Grant, “Antimateria,” Flash Art, May-June 2011, 142-145

2010

“In the Archive,” Arc: The Journal of the Royal College of Art, Issue 14, summer 2010, 37-41
Noble, Kathy, “The New Décor,” Frieze, October 2010, 241
Yaziki, Didem, “Art, Propaganda, and Politics: Goshka Macuga,” Res Magazine, March 2010, 130-3

2009

Adams, Stephen, “Tapestry of Picasso’s Guernica marks Whitechapel gallery reopening,” telegraph.co.uk, 01 April 2009
Bailey, Martin, “Controversial tapestry to star in Whitechapel reopening,” The Art Newspaper, 26 January 2009, 31-32
Farronato, Milovan, “Images from the region of Nowhere,” Mousse magazine, April- May 2009, 19-24
Glover, Michael, “Goshka Macuga at the Whitechapel Gallery,” The Times, 30 March 2009, 9
Glover, Michael, “Picasso’s fury screams out still,” The Independent, 24 March 2009, 17
“Goshka Macuga: The way I see it,” New Statesman, 19 March 2009
Herbert, Martin, “Essay: The New Modernism, Sitting Defunct Modernity in Search of Something Useful,” Tate Etc, Spring 2009, 62-6
Januszczak, Waldemar, “Clash of Symbols,” The Sunday Times, March 2009
“Knowing This… Goshka Macuga in conversation with Monika Szewczyk,” Afterall, Spring 2009, 72–80
Lubbock, Tom, “East Meets Best,” The Independent, 3 April 2009, 4-5
MacKenzie, Florence, “Modern Ruins,” Frieze, March 2009, online only
Mirolla, Miriam, “Making Worlds – Goshka Macuga,” L’Uomo Vogue, May/June 2009
Roelstraete, Dieter, “Great Transformations: On the Spiritual in Art, Again,” Afterall, Spring 2009, 5-15
Scharrer, Eva, “Goshka Macuga: Kunsthalle Basel,” Modern Painters, May 2009, 70
Searle, Adrian, “Whitechapel Gallery reopens with Picasso and anthrax,” The Guardian, 31 March 2009
Sharp, Chris, “The Meta-Artist Goes Radical: Goshka Macuga’s complex and multilayered practice,” Kaleidoscope Magazine, March – April 2009, 73-9
Watson, Grant, “Friendship of the Peoples: On the work of Goshka Macuga,” Afterall, Spring 2009, 64–70
Wolinski, Michal, “Okiełznać bestię,” Piktogram, October

2008

Akbar, Arifa, “Shortlist for Turner Prize promises end to male domination,” The Independent, 14 May 2008, 12-13
Adams, Stephen, “Shortlist for Turner is dominated by women,” The Daily Telegraph, 14 May 2008, 13
Coulson, Amanda, “The Great Transformation,” Frieze, October 2008, 137
Cumming, Laura, “Shhh…it’s the Turner Prize,” The Observer, 5 October 2008, 17
“Goshka Macuga,” The Times, 1 October 2008, 3
Searle, Adrian, “Nurses and Curses,” The Guardian, 30 September 2008, 27-29
Smith, Roberta, “Frieze Art Fair Feels a Big Chill,” The New York Times, 18 October 2008, C1
Sumpter, Helen, “Turner Prize 2008,” Time Out, 9-15 October 2008, 49

2007

Griffin, Jonathan,  “Goshka Macuga,” Frieze, July 2007
Bonham-Carter, Charlotte, “Goshka Macuga,” ArtPress, October 2007, 105
Coxhead, Gabriel, “Goshka Macuga,” Time Out London, 18-24 July 2007, 36
Evans, Jonathan, “Putting Relations in Perspective,” The Independent, 30 June 2007
Farquharson, Alex, “Looking Back: Emerging Artists,” Frieze, January/February 2007, 136
Pradalier, Armelle, “Goshka Macuga,” Flash Art, May-June 07, 133-4
Sherwin, Skye, “Goshka Macuga: The New Museum,” ArtReview, April 2007, 62-5
Wilson, Michael, “Goshka Macuga,” Artforum, April 2007, 258-9
Zolghadr, Tirdad, “Die Watchlist de luxe für 2007,” Monopol, January 2007, 87

2006

Baal, Iphgenia, Dazed & Confused, Issue 135, March 2006, 123
“Beuys, Böcklin, Kippenberger und Co.,” Frankfurter Allgemeine Zeitung, 14 July, 2006,
Cruwell, Kostanze, “Das brüllende Lachen des Großherzogs Ernst Ludwig,” Frankfurter Allgemeine Zeitung, 18 August 2006
Griffin, Jonathan, “Liverpool Biennial,” Frieze, November/December 2006, 158
Griffin, Jonathan, “Focus: Goshka Macuga,” Frieze, May/June 2006, 236
Herbert, Martin, “Belgian Artist, Presumed Dead, Alive in Brazil. Marcel Broodthaers Resurrected at the São Paulo Biennial,” Modern Painters, October 2006, 81-85
Mulholland, Neil, “British Art Show 6,” Flash Art, January/ February, 100
Mulholland, Neil and Andrew Hunt, British Art (does It) Show?,” Frieze, January/ February, 132-7
Rappolt, Mark, “Not All Ha, Ha, Hee, Hee: Liverpool Biennial,” Art Review, Sept 2006, 25

2005

Danby, Charles, Dazed & Confused, Issue 258, 2005, 60
Suchin, Peter, “British Art Show 6,” Untitled 36, 60
 “Goshka Macuga,” The Guardian Guide, 5-11 March 2005, 37

2004

Craddock, Sacha, “Goshka Macuga,” Contemporary, Issue 64, 2004
O’Neill, Paul, “I am a curator,” Art Monthly, Issue 275, April 2004, 7-10

2003

Arnatt, Matthew, “Creek,” 100 Reviews, April 2003, 15
Bany, K., “Prosta lub kreta droga,” Dziennik Polski, 14 March 2003
Bronstein, Pablo, Goshka Macuga, Gasworks,” Untitled, Issue 30, Summer 2003
Edwards, Charlotte, “Behind the Scenes,” Art Review, February, 35
Herbert, Martin, “Bloomberg Space East End: Goshka Macuga,” Time Out, November 12, 54
Herbert, Martin, “Royal College of Art: The Straight or Crooked Way,” Time Out, March 26, 54 
Herbert, Martin, “Gasworks South: Goshka Macuga,” Time Out, March 5, 50
Menin, Samuel and Valentina Sansone, Sculpture Forever,” Flash Art, Vol. 36, May- June 2003, 122-129
O’Reilly, Sally, Goshka Macuga and Declan Clarke,” Frieze, Issue 75, May 2003, 95-96
Triming, Lee, “Goshka Macuga at Gasworks,” Flash Art, Vol. 36 Issue 229, March – April 2003, 50

2002

Wysokie Obcasy, Issue 47, 23 November 2002
Dallas, Sorcha, “Goshka Macuga and Nick Evans at Transmission,” Make 92, 2002, 12.
Dunne, Aidan, All the pretty horses,” The Irish Times, 17 January, 2002, 14
Gregos, Katerina, “International News: Athens,” Contemporary, January 2002

2001

Brown, Neal, “3 in 1 Curatorial Mutiny Part 4,” Frieze, Issue 60, 2001, 110-119
Edwards, Charlotte,”Let’s get to work,” Art Review, Vol. 52, January, 34-39
Kielebasiak, Lukasz, “Totalne przegiecie,” Gazeta Wyborcza, 19 November 2001
Kielebasiak, Lukasz, “Nowoczesnie w BWA,” Gazeta. pl:Katowice, 19 November 2001
O’Reilly, Sally, “3 in 1,” Evening Standard, Time Out, Art, Issue 1598, 25 March 2001
Sjogren, Andreas, Nar London moter Kaddis, 2001, 1,5
Wolinski, Michal, “Goshka Macuga, Artystka ktora moze,” Fluid, Issue 10, 2001
Wade, Gavin, and Aleksandra Mir, “Beyond Borders,” [a-n] Magazine for Artists, June 2001, 35

2000

Andersson, Fred, “Konst,” Svenska Dagbladet, 28 October 2000
Forberg, Nils, “Cave,” Nojesguiden, October 2000
Houldswoth Fine Art, “Sexy,” The Guardian, 20 July 2000
Nestius, Lena, “Konst,” Nojesrepubliken Soderamal, 4 November 2000

Exhibitions

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