Born 1980 in Berlin, lives and works in New York City | |
SOLO EXHIBITIONS | |
2020 | Electric Forest (Bowery), Florian Meisenberg & Anna K.E., Simone Subal, New York, U.S.A |
2019 | Pre- Alpha Courtyard Games(raindrops on my cheek), Zabludowicz Collection, London, UK |
Complimentary Blue, Florian Meisenberg & Anna K.E., Kunstpalais Erlangen, Erlangen, Germany | |
Florian Meisenberg & David Renggli, WENTRUP, Berlin, Germany | |
2018 | In Flames Leaving Las Vegas, Simone Subal Gallery, New York, U.S.A |
The Taste of Metal in Water, Francois Ghebaly, Los Angeles , U.S.A | |
2017 | Acting & Aging (Odorless Journey), Avlskarl Gallery, Copenhagen, Denmark |
2016 | Signal, (with Anna K.E.), New York, U.S.A |
Wentrup, Berlin, Germany | |
Current, Upcoming, Past, Murias Centeno, Lisbon, Portugal | |
Salon Kennedy, (with Anna K.E.), Frankfurt, Germany | |
2015 | battery life, Planthouse, New York, U.S.A |
Furthermore, all the windows looked onto the courtyard and – from scarcely any distance – onto other windows of the same style, behind which could be glimpsed the stately outline of new windows opening onto a second courtyard, (performance), Kölnischer Kunstverein, Cologne, Germany | |
Delivery to the following recipient failed permanently, Simone Subal Gallery, New York, U.S.A | |
2014 | Being Blonde With Insufficient Funds (Transpirations of a Virgin), Mendes Wood, Sao Paulo, Brasil |
The New World Hotel, Kasseler Kunstverein, Fridericianum, Kassel, Germany | |
Somewhere sideways, down, at an angle, but very close, Wentrup, Berlin, Germany | |
NACHTFOYER: FLorian Meisenberg (Performance) Kunsthalle Dusseldorf, Germany | |
2013 | ‘What did the Green grape say to the Purple grape? Breath!’ (It is always forthcoming and already past) Provinz Editionen, Projekte, Bochum, Germany |
Delays During Transit (Tales of Early Prematurity), Kate MacGarry, London, UK | |
Faith so certain shall never be shaken by heaviest sorrow, Simone Subal, New York, U.S.A | |
2012 | Magic Moments of Homeopathy Vol1 (The Trauma of Creative Man), Tanja Pol Galerie, Munich, Germany |
Magic Moments of Homeopathy Vol1 (The Trauma of Creative Man), Wentrup Gallery, Berlin, Germany | |
2011 | Writing shit about new snow fort he rich is not art, Rudolf Scharpf Galerie and Wilhelm-Hack-Museum, Ludwigshafen, Germany |
http://www.youtube.com/watch?v=90RM07vHQiw, Kate MacGarry, London, UK | |
Kate MacGarry presents Florian Meisenberg, Art Since the Summer of 69, New York, U.S.A | |
2010 | Finally! Scientists found out that art is just another hobby! (with Christoph Lohmann), Tanzschule, Munich, Germany |
What art? what mushroom? a club for dehydrated people (with Christoph Lohmann), The Shelter, Cologne, Germany | |
2009 | The artist as a model of change, the artist as a young clown, Tanja Pol Galerie, Munich, Germany |
2008 | Turn your bedroom life into a volcano of pleasure!, Ludwig Forum fur Internationale Kunst, Aachen, Germany |
2006 | Disadvantage Agassi, Villa de Bank, Enschede, The Netherlands |
GROUP EXHIBITIONS | |
2020 | Jetzt! Junge Malerei in Deutschland, Deichtorhallen Hamburg, Hamburg, Germany |
2019 | Now! Painting in Germany Today, Kunstfreunde Museum Bonn, Bonn, Germany |
Link in Bio. Kunst nach den sozialen Medien, Museum der Bildenden Künste, Leipzig, Germany | |
2018 | I don’t believe in art. I believe in artists, curated by Jen DeNike, LX Arts, New York , USA |
Ten Marginal Years, curated by Brad Ewing, Foxy Productions New York, USA | |
Berlin-So a. A shortcut, curated by Maria Vassileva, Structura Gallery, So a, Bulgaria | |
IAM, Garage, curated by Vika Dushkina, Moscow, Russia | |
Ashtray Show, Belmacz, London, UK | |
Touch (AT), curated by Nadja Quante, Anna Voswinckel, Bakri Bakhit, NGBK, Berlin, Germany | |
Last Dance, Autocenter, KINDL Zentrum fuer Zeitgenoessische Kunst, curated by Joep von Lie and & Maik Schierloh, Berlin, Germany | |
Ten Marginal Years, curated by Brad Ewing Foxy Productions, New York, USA | |
A Fleshly School of Poetry, curated by Daniela Brunand & Kristian Falsnaes Electric Forest, with Anna K.E., Simone Subal Gallery, New York |
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I left my dog in the car, Galerie Russi Klenner, Berlin, Germany | |
360: NAUSEA, Zabludowicz Collection, London | |
2017 | Schöne neue Welten. Virtuelle Realitäten in der zeitgenössischen Kunst, Zeppelin Museum, Friedrichshafen, curated by Ina Neddermeyer, (Cat.) Sequences Festival, with Anna K.E., curated by Margot Norton Iceland |
Late Chekcout (Westberlin), with Anna K.E., WNTRP, Berlin, Germany Myths of the Marble, Henie Onstad Kunstsenter, curated by Milena Hoegsberg & Alex Klein, (Cat.), Oslo, Norway |
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Myths of the Marble, ICA Philadelphia, curated by Milena Hoegsberg & Alex Klein, (Cat.) Shared Spaces, Neuer Kunstverein Aschaffenburg, curated by Ellen Wagner & Daniel Kiss, (Cat.) |
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ARS17+ Hello world! Online Art, Kiasma Museum, Helsinki, Finland | |
Der Kuss, Broehan Museum, Berlin, curated by Anna Grosskopf NAUSEA, by Metaphysics, Zabludowicz collection & DAATA Editions launch at ZAP shop, London, UK |
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Hybrid Layers, NAUSEA, by Metaphysics, ZKM Karlsruhe, Germany | |
Fifteen, Kate MacGarry, London, UK | |
The Collector’s Home, Avlskarl Gallery, Copenhagen, Denmark | |
Myths of the Marble, ICA Philadelphia, U.S.A | |
Myths of the Marble, Henie Onstad Kunstsenter, Oslo, Norway | |
2016 | Late Checkout II, with Anna K.E., Signal, Brooklyn, New York, USA |
Nuite Blanche, Performance with Anna K.E. at Fairmont Hotel, Monacco, cur. by Joerg Heiser | |
Me, Schirn, Frankfurt, Germany | |
2015 | Save the Data!, Kunstpalais Erlangen, Germany |
The Casual Gesture, Bundeskunsthalle Bonn, Bonn, Germany | |
The Casual Gesture, Standpoint Gallery, London, UK | |
Verena Dengler, Florian Meisenberg, David Renggli, Gabriele de Santis, Wentrup Gallery, Berlin, Germany | |
Statements 2, Goethe-Insititut Hong Kong, Hong Kong | |
2014 | Geometries of Intimacy, Abrons Arts Center, New York, U.S.A |
House Party with Dzek, Kate MacGarry, London, UK | |
Friendly Takeover: Artists show their collection , Marta Herford (Gehry galleries), Herford, Germany | |
Transgression, Philara e. V., Düsseldorf, Germany | |
Sie und ihre Ausstellungen, Ausstellung in der Sammlung Kunst aus NRW in der ehemaligen,Reichsabtei Aachen-Kornelimünster, Aachen, Germany | |
Relative Wirklichkeiten, TS-Artprojects, Berlin, Germany | |
Jiří David, Andy Hope 1930, Florian Meisenberg Galerie Václava Špály, Prag, Czech Republic | |
Dreamland, Museum Kunsten, Aalborg, Denmark | |
Queens International, Queens Museum of Art, New York, U.S.A | |
2013 | Kunstpreis junger Westen 2013, Kunsthalle Recklinghausen, Recklinghausen, Germany |
Gruppo di famiglia in un interno, Parrotta Gallery, Stuttgart, Germany | |
Es gibt keine meisterwerke mehr, Tanja Pol Gallery, Munich, Germany | |
Accrochage, Wentrup Gallery, Berlin, Germany | |
Painting Forever! Keilrahmen, KW Kunstwerke Berlin, Berlin, Germany | |
Revised Abstraction, Grieder Contemporary, Zurich, Switzerland | |
2012 | Boros Collection No.2, Boros Collection, Berlin (cat.), Germany |
Other voices – other rooms, Wentrup Avlskarl Projects, Copenhagen, Denmark | |
Cleaning a bed from morning dust, Boutique, Cologne, Germany | |
Language is the house we live in, Kunstfilmtag 2012, Malkasten, Düsseldorf, Germany | |
Jesturing, Newman Popiashvili Gallery, NY, U.S.A | |
2011 | Endless Summer, Wentrup, Berlin, Germany |
2010 | think german/new german art, Residency of the Ambassador of the Federal Republic of Germany, London, UK |
Self-consciousness (curated by Hilton Als & Peter Doig), Veneklasen Werner, Berlin, Germany | |
New Talents Biennale 2010, Cologne, Germany | |
Enovos Foerderpreis Junge Kunst, Wilhelm-Hack-Museum, Ludwigshafen, Germany | |
Amor Parvi, curated by Oliver Tepel, Kunstverein Langenhagen, Germany | |
Osram Collection, Sammlung Osram, Munich, Germany | |
2009 | Hunger, Columbia University, NY |
Paintings in the Sky, Kate MacGarry, London, UK | |
2008 | Life is a funny old dog, Tanja Pol Galerie, Munich, Germany |
Wahrheit ist was uns verbindet, Jaspersjahr Universitaet, Oldenburg, Germany | |
Pilot Projekt_1, Pilotprojekt fuer Kunst, Duesseldorf, Germany | |
Mischanlage von Dr. Urlaub, Alte Kokerei, Zeche Zollverein Essen, Germany | |
Wenn nicht Gott, dann fuer wen?, Villa Daniel Richter, Hamburg, Germany | |
Permanent Vacation (with Anna K.E.), EY Artforum, Düsseldorf, Germany | |
2007 | Regarding Düsseldorf 2, Kunstverein 701, Duesseldorf, Germany |
Being Spielberg – presented bei Gallery Hasen (with Anna K.E.), Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany | |
The Great Show, Sistig & Ostrowski, Cologne, Germany | |
Museum for… (with Anna K.E.), Die Vitrine, Düsseldorf, Germany | |
Healthy children for a wealthy future, Codex Partners, Munich, Germany | |
2006 | The Courtesy of Thorsten Eyer, Ballhaus Ost, Berlin, Germany |
Aus der Mitte entspringt ein Fluss, Sistig & Ostrowski, Cologne, Germany | |
2005 | Copy your Idol, Kunsthalle Berlin Pankow, Germany |
Kleines Affektchen 3 (Performance/Video-Event), Museum Kunstpalast, Düsseldorf, Germany | |
EDUCATION | |
2010 | Weltmeisterschueler Peter Doig |
2004-10 | Kunstakademie Dusseldorf |
2002 | Diploma Mediendesign |
AWARDS | |
2010 | NRW Foerderpreis |
International Studio and Curatorial Program (ISCP), East Williamsburg, Brooklyn, U.S.A | |
DAAD-Stipendium/Grant, U.S.A | |
2009 | Residency Skowhegan School of Painting and Sculpture, Skowhegan, ME, USA |
Grant Studienstiftung des Deutschen Volkes, Bonn, Germany | |
2008 | Audi Art Award for progressive Performance (with Anna K.E. for Gallery Hasen) |
Young artist on the road, Preis des Ludwig Forums fuer internationale Kunst in Aachen, Germany | |
2006 | Reisestipendium/Travelling Award, Kunstverein fuer die Rheinlande und Westfalen, Düsseldorf, Germany |
PROJECTS | |
2010 | Sommerrundgang 2010, Kunstakademie Duesseldorf, Germany |
2007 | Founding of Gallery Hasen (with Anna K.E.), Sommer M.O.G.G., Duesseldorf, Germany |
PUBLICATIONS | |
2013 | Meisenberg, Florian, http://www.liveleak.com/view?i=366_1344438832, Distanz Verlag, Berlin |
2008 | Turn your bedroom life into a volcano of pleasure!, exhibition catalogue, Ludwig Forum für Internationale Kunst, Aachen, Germany |
SELECTED PRESS | |
2013 | Kamin, Diana, “Florian Meisenberg,“ Art in America, October 2013, 172-3 |