Works
  • Peter Liversidge, Winter Drawings, 2024
    Winter Drawings, 2024
  • Peter Liversidge, Stained Glass Window (Gallery 2), 2023
    Stained Glass Window (Gallery 2), 2023
  • Peter Liversidge, as a thought, 2018
    as a thought, 2018
  • Peter Liversidge, Winter Drawings: Left: 18 vs 17 / Right: 19 vs 20, 7th January, 2021
    Winter Drawings: Left: 18 vs 17 / Right: 19 vs 20, 7th January, 2021
  • Peter Liversidge, The Bridge (Choral piece for Tate Modern), 2016
    The Bridge (Choral piece for Tate Modern), 2016
  • Peter Liversidge, Basic Signifier, 2017
    Basic Signifier, 2017
  • Peter Liversidge, Carpet Face #2, 2017
    Carpet Face #2, 2017
  • Peter Liversidge, Effigy Collection, 2017
    Effigy Collection, 2017
  • Peter Liversidge, Hello, 2012
    Hello, 2012
  • Peter Liversidge, Postal Shelf for Bonniers Konsthall, Sweden, 2018
    Postal Shelf for Bonniers Konsthall, Sweden, 2018
  • Peter Liversidge, Proposals for Lancaster Arts, 2019
    Proposals for Lancaster Arts, 2019
  • Peter Liversidge, Propped Velux, Dunbar, 2019
    Propped Velux, Dunbar, 2019
  • Peter Liversidge, Sign Paintings for The Mac, Belfast, 2020
    Sign Paintings for The Mac, Belfast, 2020
  • Peter Liversidge, Sign Paintings for the NHS, 2020
    Sign Paintings for the NHS, 2020
Video
Biography

Peter Liversidge was born in 1973 in Lincoln, UK. Conceptually focussed and spanning photography, collage, sculpture and performance, Liversidge’s approach to his work invites collaboration and is subsequently formed by influences beyond his control; his artworks are investigations of coincidence and not limited to the language of a single medium.

 

Recent solo exhibitions include Proposals for Lancaster Arts, Peter Scott Gallery, Lancaster, UK (2023); Rural Time, East Quay, Watchet, UK (2023); Either / Or, Kate MacGarry, London (2023); an echo, Ingleby Gallery, Edinburgh (2022); Topsy Turvy, Sign Paintings for Belfast, The Mac, Belfast (2020); Sign Paintings for the NHS, Roman Road, E2 (2020); Working title I, Bonniers Konsthall, Stockholm, Sweden (2018); Working title II, Bonniers Konsthall, Stockholm, Sweden (2019); EDIFICE, COMPLEX, VISIONARY, STRUCTURE, Sean Kelly, New York, USA (2018); Proposals for The Aldrich Contemporary Art Museum at The Aldrich Museum, Ridgefield, USA (2017); The Bridge (A Choral Piece for Tate Modern), Tate Modern, London (2016) and Notes on Protesting, Whitechapel Gallery, London (2015).

 

Recent group exhibitions include Self-Similar, Paul Smith Space, London (2025); Out of the Margins: Performance in London’s institutions 1990s – 2010s, Whitechapel Gallery, London (2022-23); The Double: Identity and Difference in Art since 1900, The National Gallery of Art, Washington DC (2022); Notes on Protesting, Kate MacGarry, London (2022); Beano: The Art of Breaking the Rules, Somerset House, London (2021); Inaspettatamente, Cloud Seven, Brussels, Belgium (2021) and The World Exists To Be Put On A Postcard, Artists Postcards from 1960 to now, The British Museum, London (2019). Liversidge's work is included in the collections of the British Council; British Library; Czech Museum of Fine Art; Government Art Collection, London; Museum of Contemporary Art Chicago; Museum of Contemporary Art Kiasma, Helsinki; Tate, London and the Victoria & Albert Museum, London, amongst others.

Press
Exhibitions
Events