Born 1967 in Warsaw, lives and works in London |
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SOLO EXHIBITIONS |
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2019 |
Goshka Macuga, Kate MacGarry, London |
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Kestnergessellchaft, Hanover, Germany |
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What Was I?, Prada Rong Zhai, Shanghai, China |
2018 |
Goshka Macuga: Intellectual Co-Operation, Neues Museum, Nüremberg, Germany |
2017 |
Goshka Macuga & Ahmet Ögüt Episode 2, Witte de With Centre for Contemporary Art, Rotterdam, Netherlands |
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Goshka Macuga & Ahmet Ögüt Episode 1, Witte de With Centre for Contemporary Art, Rotterdam, Netherlands
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Galerie Rüdiger Schottle, Munich, Germany |
2016 |
On the Other Side of Tomorrow, Andrew Kreps Gallery, New York, U.S.A |
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Now this, is this the end… the end of the beginning or the beginning of the end? (part 1),Schinkel Pavilion, INDEX Berlin, Berlin, Germany |
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Time as Fabric, New Museum, New York, U.S.A |
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To the Son of Man Who Ate the Scroll, Fondazione Prada, Milan, Italy |
2014 |
Preparatory Notes for a Chicago Comedy, 8th Berlin Biennale, Museen Dahlem, Berlin, Germany |
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Public Address: Goshka Macuga Tapestries, Lunds Konsthall, Sweden |
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Madness and Ritual, Galerie Rüdiger Schöttle, Munich, Germany |
2013 |
Goshka Macuga: Non-consensual act (in progress), Index, The Swedish Contemporary Art Foundation, Stockholm, Sweden |
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Sxuality of Atoms, Andrew Kreps Gallery, New York, U.S.A |
2012 |
Goshka Macuga, Andrew Kreps, New York, U.S.A |
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Exhibit A, Museum of Contemporary Art, Chicago, U.S.A |
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Goshka Macuga, Kate MacGarry, London, UK |
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Untitled, Galerie Rüdiger Schöttle, Munich, Germany |
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Goshka Macuga. Untitled, Zachęta National Gallery of Art, Warsaw, Poland |
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It Broke from Within, Walker Art Center, Minneapolis, U.S.A |
2010 |
Goshka Macuga, Galerie Rüdiger Schöttle, Munich, Germany |
2009 |
The Bloomberg Commission – Goshka Macuga, Whitechapel Gallery, London, UK |
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Goshka Macuga – I Am Become Death, Kunsthalle Basel, Germany |
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All That is Solid Melts into Air, Mechelen, Belgium |
2008 |
Goshka Macuga: Gottessegen, Galerie Rüdiger Schöttle, Munich, Germany |
2007 |
Objects in Relation, Art Now, Tate Britain, London, UK |
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What’s In a Name, Andrew Kreps Gallery, New York, U.S.A |
2006 |
Sleep of Ulro, The Furnace Commission, A Foundation, Liverpool, UK |
2005 |
Goshka Macuga, Kate MacGarry, London, UK |
2003 |
Kabinett der Abstrakten, Bloomberg Space, London, UK |
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Picture Room, Gasworks Gallery, London, UK |
2002 |
Friendship of the Peoples (with Declan Clarke), The Project, Dublin, Ireland |
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Untitled, Fundacja Galerii Foksal, Warsaw, Poland |
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Homeless Furniture, Transmission Gallery, Glasgow, Scotland, UK |
2000 |
Cave, Kunstakuten, Stockholm, Sweden |
1999 |
Cave, Sali Gia, London, UK |
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GROUP EXHIBITIONS |
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2019 |
Goshka Macuga, Exhibition M, commission for the Museum of Modern Art, New York, U.S.A |
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100 Years of Bauhaus, Bauhaus Association, Weimar, Germany |
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The Enigma of the Hour, Freud Museum, London, UK |
2018 |
What Is Enlightenment: 200 Years of the University of Warsaw Library Print Collection, The Museum of Modern Art, Warsaw, Poland |
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Machines à Penser, Fondazione Prada, Venice |
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Hello World. Revising a Collection, Hamburger Bahnhof– Museum für Gegenwart, Berlin, Germany |
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Like Life: Sculpture, Colour and the Body (1300-Now), The Met Breuer, New York, U.S.A |
2017 |
FIFTEEN, Kate MacGarry, London, UK |
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Antigona, Stage design: Goshka Macuga , Staatsthearter Kassel, Germany |
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The Absent Museum, WIELS, Brussels, Belgium |
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Perpetual Movement, Contemporary art, dance and ideas, The Lowry, Manchester, UK |
2016 |
States of Mind: Tracing the edges of consciousness, Wellcome Collection, London |
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The Artist’s Museum, ICA Boston, MA. U.S.A |
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Accrochage, curated by Caroline Bourgeois, Punta della Dogana, Venice |
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Show Window, Kate MacGarry, London |
2015 |
Political Populism, Kunsthalle Wien, Vienna |
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Dead: A Celebration of Mortality, Saatchi Gallery, London |
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Ladies’ Knight: The Female Perspective on Chess, World Chess Hall of Fame, Saint Louis, MO |
2014 |
Report from the Exhibition Goshka Macuga & Eustachy Kossakowski, Kate MacGarry, London, UK |
2013 |
Tagore’s Universal Allegories (with Anna Boghiguian), Iniva, London, UK |
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Busted, The High Line, New York, U.S.A |
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Revolution from Within, Kaufmann Repetto, Milan, Italy |
2012 |
dOCUMENTA (13), Kunsthalle Fridericianum, Kassel, Germany and Queen’s Palace, Kabul, Afghanistan |
2011 |
Secret Societies: To Know, To Dare, To Will, To Keep Silence, CACP, musee d’art contemporain de Bordeaux, France |
2010 |
Traccia 02 (with Pinot Gallizio), curated by Francesca Comisso, Galleria Martano, Turin, Italy |
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Newspeak: British Art Now pt.1, Saatchi Gallery, London, UK |
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The Curse of Imagination, The Bunkier Sztuki Contemporary Art Gallery, Krakow, Poland |
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Tutto e’ connesso: ricerche e approfondimenti nell’arte dell’ultimo decennio attraverso la collezione, Castello di Rivoli, Turin, Italy |
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Strange Comfort (Afforded by the Profession), curated by Adam Szymczyk, Istituto Svizzero, Rome; travelling to Kunsthalle Basel in 2011, 2010, Italy |
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Star City, The Future Under Communism, Nottingham Contemporary, Nottingham, UK |
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Use & Mention, Stephen Lawrence Gallery, University of Greenwich, London, UK |
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Eastbound, KAI 10, Raum für Kunst, Düsseldorf, Germany |
2009 |
We’re Moving, Royal College of Art, London, UK |
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The Dark Monarch: Magic and Modernity in British Art, Tate St.Ives, St. Ives, UK |
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Textile Art and the Social Fabric, MuHKA Museum of Contemporary Art Antwerp, Antwerp, Belgium |
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53rd Venice Biennale: Fare Mondi/Making Worlds, Corderie dell’Arsenale, Venice, Italy |
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Modern Ruins, Kate MacGarry, London, UK |
2008 |
Turner Prize 2008, Tate Britain, London, UK |
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That beautiful pale face is my fate (For Lord Byron), Newstead Abbey, Nottinghamshire, UK |
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The Great Transformation: Art and Tactical Magic, Frankfurter Kunstverein; travelling to MARCO, Museo de Arte Contemporanea de Vigo, Spain |
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Tales of Disbelief, La Galerie, Noisy-le-Sec, France |
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5th Berlin Biennial for Contemporary Art, Neue Nationalgalerie, Berlin, Germany |
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Cohabitation: 13 Artists and Collage, Francesca Kaufmann, Milan, Italy |
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Martian Museum of Terrestrial Art, Barbican Art Gallery, London, UK |
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Santhal Family: Positions Around an Indian Sculpture, MuHKA Museum of Contemporary Art, Antwerp, Belgium |
2007-06 |
We’ve Lost Our Heart and Mind, Event Gallery, London, UK |
2006 |
Mula sem Cabeça (Headless Mule), How to Live Together, 27th São Paulo Biennial, Brazil |
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Moving in Architecture, (selected by Cyril Lepetit), Camden Arts Centre and Curzon Cinema Soho, London, UK |
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Mathilda is Calling, Institut Mathildenhöhe, Darmstadt, Germany |
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3rd Attese Biennale di Ceramica nell’ Arte Contemporanea, Museo della Ceramica Manlio Trucco, Albissola Superiore, Italy |
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16th Biella Prize for Engraving (curated by Jeremy Lewison), Museo del Territorio Biellese, Biella, Italy |
2005 |
Communism, Project Arts Centre, Dublin, Ireland |
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The British Art Show, Baltic & touring the UK |
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Go Between, Amt der Landeshauptstadt Kultur, Bregenz, Austria |
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Can Buildings Curate? Architectural Association, London, UK |
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Spring/Summer, curated by Simon Moretti, Program, London, UK |
2004 |
Automn Catalog Leather Fringes, Kunsthalle Basel, Switzerland |
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Perfectly Placed, South London Gallery, London, UK |
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Expo 21: Strategies of Display, Angel Row Gallery, Nottingham, UK |
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Expo 21: Strategies of Display, Mead Gallery, Coventry, UK |
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Relay, PR04, Puerto Rico |
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Trackers, PM Gallery, London, UK |
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Tonight, Studio Voltaire, London, UK |
2003 |
Vis á Vis, Platform, London, UK |
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Ponce, The Ship, London, UK |
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Creek, Cell Project, London, UK |
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The Straight or Crooked Way, Royal College of Art, London, UK |
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Chockerfuckingblocked, Jeffrey Charles Gallery, London, UK |
2002 |
T.O.F.U, Barts Wells Institute, London, UK |
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The New Religious Art, Liverpool Biennale, Liverpool, UK |
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London Underground, Taipei Fine Art Museum, Taipei, Taiwan |
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Pause, Conception, Gwangju Biennale 2002, Project 1, Gwangju, South Korea |
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The House of Horror, Outline Gallery, Amsterdam, The Netherlands |
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The New Religious Art, Henry Peacock Gallery, London, UK |
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Woof Woof, Becoming Animal, Project, Dublin, Ireland |
2001 |
Zawody Malarskie, Galeria BWA Bielsko-Biala, Poland |
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Open Plan P 3 The Marathon, Alphadelta Gallery and Artio Gallery, Athens, Greece |
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Woof Woof, Becoming Animal, Austrian Cultural Forum, London, UK |
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Skuggspel, Tullkammaren, Umea, Sweden |
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Teeth & Trousers, Cell Project Space, London, UK |
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Forever Yours, Wooden Heart, London, UK |
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Free Wahlen/Uptight out of control 3, Staatliche Kunsthalle, Baden Baden, Germany |
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Avalanche, Hales Gallery, London, UK |
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Curatorial Mutiny Part 4, Nylon, London, UK |
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A very nice film club, Vilma Gold, London, UK |
1999 |
The Mountain and the Valley, Cubitt Gallery, London, UK (curated with Dexter Dalwood and Matthew Leahy) |
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EDUCATION |
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1995-96 |
Goldsmiths College, MA Fine Art |
1991-95 |
Central St. Martins, BA Hons Fine Art |
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ARTIST PUBLICATIONS |
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2013 |
Roelstraete, Dieter, Szymczyk, Adam; Macuga, Goshka; Grynsztejn, Madeleine, Goshka Macuga: Exhibit, A, Chicago: Museum of Contemporary Art Chicago, MCA Monographs, |
2011 |
Eleey, Peter, and Bartholomew Ryan, Goshka Macuga: It Broke From Within, Minneapolis: Walker Art Center |
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Brewinska, Maria (ed.), Goshka Macuga: Untitled, Warsaw: Zacheta Narodowa Galeria Sztuki |
2010 |
Macuga, Goshka; Roelstraete, Dieter, The Nature of the Beast, London: Whitechapel Gallery |
2007 |
Bond, Bryony; Boundy, Fiona; Macuga, Goshka, Sleep of Ulro, Liverpool: A Foundation, Liverpool, London: Kate MacGarry & Rotterdam: Veenman Publishers |
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SELECTED PUBLICATIONS & EXHIBITION CATALOGUES |
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2012 |
dOCUMENTA (13), Ostfildern: Hatje Cantz |
2010 |
Pirovano, Stefano, Forma e informazione – nuove vie per l’astratto nell’arte del terzo millennio, Monza: Johan & Levi Editore |
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Farquharson, Alex, and Lukasz Ronduda (ed.), Star City: The Future Under Communism, Nottingham: Nottingham Contemporary |
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Contemporary Eastern European Art, London: Black Dog Publishing |
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Creamier – Contemporary Art in Culture, London: Phaidon |
2009 |
The Dark Monarch: Magic and Modernity in British Art, London: Tate |
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Herbert, Martin, Frieze Art Fair Yearbook 2009- 2010, London: Frieze |
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Roelstraete, Dieter, All That Is Solid Melts Into Air, Antwerp: MuHKA & Tielt: Lannoo Publishers |
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Birnbaum, Daniel, Fare Mondi/Making Worlds: 53rd Venice Biennale, Venice: Marsilio Editori |
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Ellegood, Anne (intro.), Vitamin 3D: New Perspectives in Sculpture and Installation, London: Phaidon |
2008 |
Turner Prize, London: Tate Britain |
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Morton, Tom, Frieze Art Fair Yearbook 2008-9, London: Frieze |
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Fables du Doute/Tales of Disbelief, La Galerie centre d’art contemporain, Noisy-le-Sec |
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Filipovic, Elena & Adam Szymczyk (ed.), 5th Berlin Biennial for Contemporary Art: When Things Cast No Shadow, Zürich: JRP/Ringier & Berlin: KW Institute for Contemporary Art |
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Manacorda, Francesco, Martian Museum of Terrestrial Art, London: Merrell Publishers |
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Watson, Grant & Will Bradley, Anshuman Dasgupta, Monika Szewczyk (ed.), Santhal Family: Positions Around an Indian Sculpture, Antwerp: MuHKA |
2006 |
Beil, Ralf, Mathilda is Calling, Ostfildern: Hatje Cantz |
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Lewinson, Jeremy, 16th Biella Prize for Engraving: Art in the Age of Anxiety, Milan: Skira |
2005 |
Morton, Tom, Frieze Art Fair Yearbook 2005-6, London: Frieze |
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Fetz, Wolfgang & Peter Lewis, Go Between, 2005, Frankfurt am Main: Revolver |
2003 |
Patten, Eliza, The Straight or Crooked Way, London: Royal College of Art |
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SELECTED PRESS |
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2013 |
Janeczko, Janice. “Goshka Macuga’s “Exhibit A”, The Northwestern Chronicle, 2 April |
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Diaz, Eva. “Goshka Macuga”, Artforum, January, p. 208 |
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Gronvall, Andrea, “Collage Therapy”, Chicago Reader, 4 February |
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Waxman, Lori. “Artist as prosecuter”, Chicago Tribune, January 30 |
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Weinberg, Lauren, “Goshka Macuga at the Museum of Contemporary Art,” Time Out Chicago, 14 February |
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2012 |
“Goshka Macuga,” Frieze, November/December, 176 |
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“Goshka Macuga,” Art in America, December, 148-155 |
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Lequeux, Emmanuelle, “Une Documenta historique”, Beaux Arts, August, 26-29 |
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Arend, Indo, “Rosen fur Kabul”, Das Kunstmagazin, August, 40-44 |
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“Goshka Macuga: of what is, that is; of what is not, that is not,” Numero Tokyo, September, 144 |
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Harms, Ingeborg, “Weiter Blick,” Vogue Deutsch, August, 200-201 |
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Fritsch, Werner, ” Was Kassel mit Kabul verbindet”, HNA, 12 June, KU1 |
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Rosenau, Mirja, “Goshka Macuga”, Das Kunst Magazine, June, 84 |
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Viliana, Andrea, “Momentary Monuments and Half-Truths,” Mousse Magazine, Issue 34, Summer, 186-195 |
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Ankerman, Door Karel; Bouma, Hilda, ” Aha!”, Persoonlijk, 16 June, 26-30 |
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Arend, Ingo, “City with K:Documenta in Afgan”, Goethe Institute, online only |
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Phongsathorn, Thomas, “My V&A Goshka Mazuga,” V&A Magazine, Summer, 66-69 |
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Luke, Ben, “Documenta Opens to Critical Acclaim”, The Art Newspaper, 12 June |
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Redzisz, Kasia, “Goshka Macuga,” Frieze, March, 148 |
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Volk, Gregory, “documenta 13: Books, Afghanistan, and Both,” Art in America, June, online only |
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Volk, Gregory, “Goshka Macuga,” Art in America, January, online only |
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2011 |
“Goshka Macuga: It Broke from Within”, Walker Magazine, March/April, 33 |
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Macuga, Goshka & Julian Gastelo Gastelo, “Snake Society,” Konteksty, Warsaw: Polska Sztuka Ludowa |
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Roelstraete, Dieter, “Forest for the Trees,” Artforum, September, 322-327 |
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Burley, Isabella, “The Nature of The Beast”, Tiger Magazine, September, 48-53 |
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Sutton, Kate, “Critics’ Picks: Goshka Macuga at Walker Art Center,” Artforum, online only |
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Watson, Grant, “Antimateria,” Flash Art, May-June, 142-145 |
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2010 |
“In the Archive,” Arc: The Journal of the Royal College of Art, Issue 14, summer, 37-41 |
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Noble, Kathy, “The New Décor,” Frieze, October, 241 |
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Yaziki, Didem, “Art, Propaganda, and Politics: Goshka Macuga,” Res Magazine, March, 130-3 |
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2009 |
Adams, Stephen, “Tapestry of Picasso’s Guernica marks Whitechapel gallery reopening,” telegraph.co.uk, 01 April |
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Bailey, Martin, “Controversial tapestry to star in Whitechapel reopening,” The Art Newspaper, 26 January, 31-32 |
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Farronato, Milovan, “Images from the region of Nowhere,” Mousse magazine, April- May, 19-24 |
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Glover, Michael, “Goshka Macuga at the Whitechapel Gallery,” The Times, 30 March, 9 |
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Glover, Michael, “Picasso’s fury screams out still,” The Independent, 24 March, 17 |
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“Goshka Macuga: The way I see it,” New Statesman, 19 March |
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Herbert, Martin, “Essay: The New Modernism, Sitting Defunct Modernity in Search of Something Useful,” Tate Etc, Spring, 62-6 |
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Januszczak, Waldemar, “Clash of Symbols,” The Sunday Times, March |
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“Knowing This… Goshka Macuga in conversation with Monika Szewczyk,” Afterall, Spring, 72–80 |
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Lubbock, Tom, “East Meets Best,” The Independent, 3 April, 4-5 |
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MacKenzie, Florence, “Modern Ruins,” Frieze, March, online only |
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Mirolla, Miriam, “Making Worlds – Goshka Macuga,” L’Uomo Vogue, May/June |
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Roelstraete, Dieter, “Great Transformations: On the Spiritual in Art, Again,” Afterall, Spring, 5-15 |
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Scharrer, Eva, “Goshka Macuga: Kunsthalle Basel,” Modern Painters, May, 70 |
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Searle, Adrian, “Whitechapel Gallery reopens with Picasso and anthrax,” The Guardian, 31 March |
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Sharp, Chris, “The Meta-Artist Goes Radical: Goshka Macuga’s complex and multilayered practice,” Kaleidoscope Magazine, March – April, 73-9 |
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Watson, Grant, “Friendship of the Peoples: On the work of Goshka Macuga,” Afterall, Spring, 64–70 |
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Wolinski, Michal, “Okiełznać bestię,” Piktogram, October |
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2008 |
Akbar, Arifa, “Shortlist for Turner Prize promises end to male domination,” The Independent, 14 May, 12-13 |
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Adams, Stephen, “Shortlist for Turner is dominated by women,” The Daily Telegraph, 14 May, 13 |
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Coulson, Amanda, “The Great Transformation,” Frieze, October, 137 |
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Cumming, Laura, “Shhh…it’s the Turner Prize,” The Observer, 5 October, 17 |
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“Goshka Macuga,” The Times, 1 October, 3 |
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Searle, Adrian, “Nurses and Curses,” The Guardian, 30 September, 27-29 |
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Smith, Roberta, “Frieze Art Fair Feels a Big Chill,” The New York Times, 18 October, C1 |
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Sumpter, Helen, “Turner Prize 2008,” Time Out, 9-15 October, 49 |
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2007 |
Griffin, Jonathan, “Goshka Macuga,” Frieze, July |
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Bonham-Carter, Charlotte, “Goshka Macuga,” ArtPress, October, 105 |
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Coxhead, Gabriel, “Goshka Macuga,” Time Out London, 18-24 July, 36 |
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Evans, Jonathan, “Putting Relations in Perspective,” The Independent, 30 June |
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Farquharson, Alex, “Looking Back: Emerging Artists,” Frieze, January/February, 136 |
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Pradalier, Armelle, “Goshka Macuga,” Flash Art, May-June, 133-4 |
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Sherwin, Skye, “Goshka Macuga: The New Museum,” ArtReview, April, 62-5 |
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Wilson, Michael, “Goshka Macuga,” Artforum, April, 258-9 |
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Zolghadr, Tirdad, “Die Watchlist de luxe für 2007,” Monopol, January, 87 |
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2006 |
Baal, Iphgenia, Dazed & Confused, Issue 135, March, 123 |
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“Beuys, Böcklin, Kippenberger und Co.,” Frankfurter Allgemeine Zeitung, 14 July |
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Cruwell, Kostanze, “Das brüllende Lachen des Großherzogs Ernst Ludwig,” Frankfurter Allgemeine Zeitung, 18 August |
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Griffin, Jonathan, “Liverpool Biennial,” Frieze, November/December, 158 |
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Griffin, Jonathan, “Focus: Goshka Macuga,” Frieze, May/June, 236 |
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Herbert, Martin, “Belgian Artist, Presumed Dead, Alive in Brazil. Marcel Broodthaers Resurrected at the São Paulo Biennial,” Modern Painters, October, 81-85 |
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Mulholland, Neil, “British Art Show 6,” Flash Art, January/ February, 100 |
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Mulholland, Neil and Andrew Hunt, “British Art (does It) Show?,” Frieze, January/ February, 132-7 |
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Rappolt, Mark, “Not All Ha, Ha, Hee, Hee: Liverpool Biennial,” Art Review, Sept, 25 |
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2005 |
Danby, Charles, Dazed & Confused, Issue 258, 60 |
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Suchin, Peter, “British Art Show 6,” Untitled 36, 60 |
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“Goshka Macuga,” The Guardian Guide, 5-11 March 2005, 37 |
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2004 |
Craddock, Sacha, “Goshka Macuga,” Contemporary, Issue 64 |
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O’Neill, Paul, “I am a curator,” Art Monthly, Issue 275, April, 7-10 |
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2003 |
Arnatt, Matthew, “Creek,” 100 Reviews, April, 15 |
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Bany, K., “Prosta lub kreta droga,” Dziennik Polski, 14 March |
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Bronstein, Pablo, “Goshka Macuga, Gasworks,” Untitled, Issue 30, Summer |
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Edwards, Charlotte, “Behind the Scenes,” Art Review, February, 35 |
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Herbert, Martin, “Bloomberg Space East End: Goshka Macuga,” Time Out, November 12, 54 |
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Herbert, Martin, “Royal College of Art: The Straight or Crooked Way,” Time Out, March 26, 54 |
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Herbert, Martin, “Gasworks South: Goshka Macuga,” Time Out, March 5, 50 |
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Menin, Samuel and Valentina Sansone, “Sculpture Forever,” Flash Art, Vol. 36, May- June, 122-129 |
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O’Reilly, Sally, “Goshka Macuga and Declan Clarke,” Frieze, Issue 75, May, 95-96 |
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Triming, Lee, “Goshka Macuga at Gasworks,” Flash Art, Vol. 36 Issue 229, March – April, 50 |
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2002 |
Wysokie Obcasy, Issue 47, 23 November |
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Dallas, Sorcha, “Goshka Macuga and Nick Evans at Transmission,” Make 92, 12. |
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Dunne, Aidan, “All the pretty horses,” The Irish Times, 17 January, 14 |
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Gregos, Katerina, “International News: Athens,” Contemporary, January |
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2001 |
Brown, Neal, “3 in 1 Curatorial Mutiny Part 4,” Frieze, Issue 60, 110-119 |
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Edwards, Charlotte,”Let’s get to work,” Art Review, Vol. 52, January, 34-39 |
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Kielebasiak, Lukasz, “Totalne przegiecie,” Gazeta Wyborcza, 19 November |
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Kielebasiak, Lukasz, “Nowoczesnie w BWA,” Gazeta. pl:Katowice, 19 November |
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O’Reilly, Sally, “3 in 1,” Evening Standard, Time Out, Art, Issue 1598, 25 March |
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Sjogren, Andreas, Nar London moter Kaddis, 1,5 |
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Wolinski, Michal, “Goshka Macuga, Artystka ktora moze,” Fluid, Issue 10 |
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Wade, Gavin, and Aleksandra Mir, “Beyond Borders,” [a-n] Magazine for Artists, June, 35 |
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2000 |
Andersson, Fred, “Konst,” Svenska Dagbladet, 28 October |
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Forberg, Nils, “Cave,” Nojesguiden, October |
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Houldswoth Fine Art, “Sexy,” The Guardian, 20 July |
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Nestius, Lena, “Konst,” Nojesrepubliken Soderamal, 4 November |